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Robust Bi-Color Performance

Blend the new optical color-blending technology with Aputure’s dual-color LED chipset supply unparalleled flexibility from a single LED fixture. A specially-designed color-blending optical element in front of the chipset merge the LED output into a single compatible point light source. The highly systematic light output renders at CRI 95, TLCI 98, plus higher than industry standard SS1 85, and D55-SSI 74 ratings. This level of productivity means colors and skin tones will be reproduced with an extra high degree of accuracy.

Local Control, DMX, 2.4 GHz Wireless, and Bluetooth Remote Control Options

Innate local controls and a bright LCD display on the Controller Box permit accurate and citable setups locally. In addition, the output may be managed using the included 2.4 GHz wireless remote, or the light may be anti-discrimination into a DMX network via the 5-pin XLR in/out ports. Also, thanks to Aputure’s integrated Sidus Mesh network chipset, all the 300X’s functions may be overseen by the Sidus Link app, idle to download for iOS and Android portable devices. The app also allows saving presets, adjusting/triggering lighting effects, luminance, and CCT, as well as installation of firmware updates, all from your smartphone or tablet.

Dual Output Modes

Constant Output Mode allows precision CCT adjustment while maintaining constant luminance, and even shift color temperature seamlessly during a scene. Max Output Mode will maximize CCT and dimming levels within the 4000-5500K range.

Bowens S-Mount Versatility

The integrated Bowens-S mount allows using an almost limitless number of available modifiers to narrow, diffuse, or otherwise sculpt the light to suit any application or creative vision.

Four Available Dimming Modes

• Linear
• Exponential
• Logarithmic
• S-Curve

5 Available Common CCT Presets

• 2700K
• 3200K
• 4200K
• 5500K
• 6500K

Nine Customizable Built-In Lighting Effects

• Paparazzi
• Fireworks
• Lightning
• Faulty Bulb
• TV
• Pulsing
• Strobe
• Explosion
• Fire

The post Aputure Light Storm LS300X LED Light Kit first appeared on GP.

The LS C300d II’s performance is promoted by its design. The all-aluminum body construction goes through many fabrication steps, and the reflector and accessory mount is the mostly used Bowens S-Type. A wireless remote that permits you to command on/off and dimming functions from distances up to 328′. And expressing control, Aputure also features the Bluetooth Sidus Link App Control which permits wireless adjustments of all the light’s functions additional effects such as Lightening, Pulse, Flash, and Explosion. Perfect for sound-sensitive surroundings, the LS C300d II can be used but not heard thanks to a highly structured fan that can be turned off when utter silence is needed. The LS C300d II is made for worldwide use hats-off to its 110-240 VAC power supply but it also includes two battery plates, let you to use V-Mount batteries for external power when mains current is inaccessible. The LS C300d II is included with a power cable, a DMX cable to attach to the ballast, a wireless remote, a base for an optional clamp, and a beefy carrying case that can brace 220 lb to save the light during transport and storage

Changing the Game

A couple of years ago, Aputure has introduced the industry with the 300d, creating a strong and small-sized LED fixture that could be adjusted easily. Filmmakers from around the world were influenced by the light’s capabilities, but inspired by user feedback, Aputure is made the redesigned and upgrade 300d Mark II. The light is 20% brilliant than its predecessor, more long-lasting, more portable, and “smarter” than the original 300d.

Even More Output

By employing the latest in Aputure COB LED technology, the 300d Mark II outputs a massive 20% more light than its forerunner. When attached with the optional Fresnel 2X, the 300d Mark II can provide up to 80,000 lux, approaching the luminance of a 575W HMI! And steadily, the 5500K-balanced 300d Mark II maintains very precise color fidelity with CRI/TLCI ratings of 96+.

A More Robust Lamp Head

The 300d Mark II also launch modified features, while continuing the same size and light aircraft aluminum body as the primal 300d. The latest yoke permit for 360° of rotation, and when attached with the handbrake locking mechanism from the 120d Mark II, giving you the feature to mount the light in any position, with any modifier.

Maximum Efficiency with Hyper Reflector

The 300d Mark II is also the first Aputure light characterized with the all-new, hyper-efficient 55° reflector. By slightly narrowing the beam from 60 to 55° and modifying the inner shape and coating of the reflector, Aputure was capable to maximize the output of the 300d II by more than 3x times, when collated to the primal design.

A Redesign Revolution

The control box is completely newly made. By using Aputure’s fan‐less heat sink design, the 300d Mark II’s unified control box is now properly noiseless. Made of a long-lasting aluminum alloy, with a new secret antenna and military-grade cordage strap, the control box is ready to resist the exactness of any film set. The 300d Mark II control box is also the first outcome to use Aputure’s quick release plate and clamp system, permitting you to hardly secure it on any stand, truss, or speed rail.

Power Solutions for Indie Filmmakers

The 300d Mark II can manufacture its maximum output by utilizing two high-capacity V-Mount or Gold Mount batteries, but it is also characterized by advanced technology that permits you to strengthen the light with a single battery at up to half output. The featured 19.7′ Neutrik cable produces the 300d II with a sturdy power connection and permitting you the comfort of not having to seize a stinger to power your light.

Enhanced Control Features

The control box of the 300d Mark II is characterized with 8 built-in lighting FX: Paparazzi, Spark, Lightning, Faulty Bulb, TV, Pulse, Flash, and Explosion, with more future coming firmware updates via the control box’s USB interface. The control box also includes a trigger button to activate lighting FX quickly.

Stepless Dimming

The long-awaited 0 to 100% stepless dimming control gives you access to use the 300d II in low-light environments or to overpower the sun and can use any of 4 different dimming curves: Linear, Logarithmic, Exponential, and S-Curve. The 300d Mark II is also characterized by a Studio Mode that permits the lights to turn on and be controlled straight away upon receiving power, making it perfect for DMX lighting grids.

More Options for Control

In addition to the control wheel, the 300d Mark II also features DMX512 compatibility, a 2.4 GHz Aputure Wireless remote with an FX toggle button, and the ability to be controlled by the Sidus Link App using a Bluetooth mesh network protocol.

Sidus Link App Control

Featuring recently introduced Bluetooth SIG mesh network technology, the 300d Mark II will also the first app-controllable Aputure lighting fixture. This technology will allow you to control a 300d Mark II from up to 1300′ away, by linking multiple lights up to 262′ apart. Using the Sidus Link App, you’ll be able to access all of the functions of the control box, in addition to being able to save presets, finely tune and trigger additional lighting FX, as well as install firmware updates, all from your smartphone or tablet.

Redesigned Carrying Case

Aputure also made the carry case with grip trucks and run-and-gun filmmakers in mind. The new 300d Mark II carrying case is composed of durable walls with a soft exterior lining that can support up to 220 lb, providing both ample protection and a seat for you on set. The bottom of the case is also covered with an easy-to-clean, slash-proof material, letting you rest easy, knowing your 300d Mark II will survive just about any situation you throw at it.

In the Box

• Aputure Light Storm C300d Mark II LED Light Kit included with V-Mount Battery Plate
• Controller Box include Battery Plate
• Provided Power Cable
• Given 5-Pin Male to Female XLR Cable
• Quick Release Clamp Base
• Provided Remote Control with CR2032 Battery
• Standard Reflector
• Strap brief bag
• Along with 1-Year Warranty

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Like other H-Series Handy recorders such as the H4n Pro and H5, you can hold it in your hand, seize it to a mic stand or tripod, or ascend it to a camera; the H6 All Black packs an imposing attire of characterizing into a rugged, waxed body that’s more than ready to meet the diverse demands of musicians, content creators, videographers, and sound designers.

From the innate, tangible controls to the ample battery life and powerful audio convert functions, the H6 All Black is well provided for construct pristine audio for absolute musical arrangements, independent films, and panel podcasts. It can provide phantom or plug-in power for condenser mics, or accept direct links from synths, keyboards, drum machines, or +4 dB line-level mixers. No matter the source, selectable auto-recording and pre-recording make sure that you’ll never miss the start of a take, and stereo safety track recording produce duplicate tracks at a lower level to avoid twist.

Original H6 vs H6 All Black

Because the original H6 supports a gray finish, dual interchangeable stereo mic capsules, and premium accessories—a protective case, a foam windscreen, and a USB cable, the H6 All Black 2020 Version is consulted in a smooth, solid black finish and incorporate a single stereo mic capsule. Pair versions compromise four AA batteries for powering the H6 on the go.

Fast, User-Friendly Operability

The H6 All Black’s front panel is cushy in order with its most crucial and commonly used controls—transport buttons for record, play/pause, stop, back, and forward operations, separated record-arm buttons that binary as mute switches during playback, large gain knobs, and pad switches. For more safety, a hold control disables all front-panel buttons to avert accidental operation while recording.

Day or night, view vital information such as audio levels, recording time, battery status, and more on the 2″ full-color LCD, which occur to be led and slant for greatest visibility.

Instant Access to Gain Adjustments

Each H6 input has its own dedicated gain control lump. There’s no track selection or button grave essential to develop your recording levels; just turn the dials anytime you need to alter the gain. If your XLR-1/4″ input sources are blaring that you need even less acquire than the amplifier provides at the “0” setting, use four front-panel pad control to reduce the combo inputs by 20 dB.

X/Y Stereo Microphone Capsule

Evacuate your exterior mics at home and travel light; the H6 All Black covers a stereo microphone capsule. With nothing more than the H6, you’re set to evidence a diverse of sources, even ear-rattling ones up to 136 dB!

The matching black X/Y capsule produces clear, phase-accurate capture in two kinds of X/Y positions—90° for a dense stereo image or 120° for a vast perspective. Just twist the capsules to their notable positions to shift between the two configurations.

Supports Interchangeable Zoom Mic Capsules

The Zoom mic capsule inserts on the H6 All Black lodge Zoom’s line of individually accessible interchangeable capsules, which can be changed out as easily as the lenses of a camera. With shock-mounted X/Y, Mid-Side, and mono or stereo shotgun mic capsules to select from, you can record music, dialog, or sound effects without conduct an external microphone setup. Choose the EXH-6 combo input capsule to receive two additional mic/line signals through  XLR-1/4″ jacks.

Six Channels of Microphone/Line Inputs

Supplied with four XLR-1/4″ combo inputs and a 3.5mm stereo mini-jack input (on the X/Y capsule), the H6 All Black can board condenser microphones, +4 dB balanced line-level sources, or signals from unstable instruments with active electronics. Turn on 12, 24, or 48 VDC phantom power to the XLR jacks, or 2.5V plug-in brawn to the mini-jack. Whether you plan on recording studio condenser mics, nourish from wireless receivers, or a lavalier and shotgun mic combo for an interview, the H6 All Black’s booster is ready to bring low-noise (-120 dB EIN) performance.

Record All Channels Live or Overdub Layers

The H6 All Black brag 6-channel recording at up to 24-bit / 96 kHz resolution. Record all channels together or employ the multi-tracked function to put in layers of instruments after an early recording. Alter levels and pans for your tracks, then use the internal mixdown function to mix six tracks down to a stereo file.

SD Card Recording and Audio Interface Functionality

Louden stretched by recording directly to an SD card (up to 2GB capacity), SDHC card (up to 32GB capacity), or SDXC card (up to 128GB capacity). A 2GB card will submit over 3 hours of 16-bit / 44.1 kHz stereo recording time employ the BWF-compliant WAV format for unlading audio quality and accustomed file affinity. Note that media cards are available individually, and greater capacity cards will increase startup times.

If not, work the H6 All Black as a 6-in / 2-out USB 2.0 audio jointed at up to 24-bit / 96 kHz. For audio interface operation with an iPad, select USB stereo mode, which tender two channels in and out at up to 16-bit / 48 kHz.

3.5mm Outputs for Simultaneous Hookup to a Camera and Headphones

The H6 All Black showoff 3.5mm line and headphone mini-jack outputs for at once sustain your camera/DSLR and a set of headphones. Separately alter the headphone volume through the side-panel volume control. For fast playback reference, a built-in monophonic speaker is also featured.

Powered via AA Batteries or AC Adapter

Strength the H6 All Black through four featured AA batteries, or plug it into a wall outlet with an AD-17 AC adapter (available separately). Alkaline batteries retain the H6 running for over 20 hours of constant 16-bit / 44.1 kHz recording using the X/Y mic capsule, or for more than 9 hours of nonstop 24-bit / 96 kHz recording by using the X/Y mic and the four XLR-1/4″ inputs. While using the H6 All Black in the stereo USB audio interface mode, USB bus power is achievable.

Rugged and Portable, Handheld or Mounted

The long-lasting ergonomic body sub itself naturally to handheld use. Ought to need to mount it on a mic stand or tripod, an interlaced hole on the back of the H6 All Black preclude the need for stand adapters. Acquire a hot shoe adapter to connect the H6 All Black straight to a DSLR.

Signal Processing Adds Sonic Polish

The H6 All Black’s onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low-frequency rumble. Normalize files for maximum gain, split them into smaller chunks, and even insert up to 99 marks per recording.

There’s an onboard metronome and tuner, and you can loop playback and adjust pitch and speed independently, making the H6 All Black an ideal tool for phrase training.

Special Recording Functions

The H6 All Black offers selectable recording functions designed to prevent you from accidentally missing the start of a performance. By keeping the previous two seconds (one second at 96 kHz) of audio whenever you press the record button, the pre-record option ensures that you’ll never cut off the beginning of a great take. Auto-record can automatically start recording when a user-set sound level is detected, making it great for voice-activated recording.

The backup record enables the H6 All Black to automatically record a duplicate of the L/R input with 12 dB less input gain. Even if your original track is distorted, chances are the Backup version will be fine!

Supports External Remote Control

Use the RCH-6 remote (available separately in the APH-6 accessory pack) to control the transport, arm tracks, and adjust the volume at a distance while eliminating handling noise.

Includes Audio Software

The H6 All Black comes with free download licenses for Steinberg’s Cubase LE music production software and WaveLab LE audio editing software, representing a complete audio production toolkit.

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The SK 100 G4 characterized a locking 3.5mm connector with a versatile input level to lodge the amicable lavalier or headset microphone of your choice, or an adapter cable for guitar and bass. When the accompanying task on the receiver is occupied, the transmitter and receiver quickly connect to the same frequency over infrared. The transmitter’s backlit LCD shows important information, while the appropriate programmable mute feature can be locked out to avert accidental changes while performing.

The unit can also be powered by a single rechargeable BA 2015 Accupack battery (available separately). Side contacts allow for recharging the Accupack without removing it from the transmitter—requires the L 2015 quick-charging unit (available separately).

The SK 100 G4 can be used with all previous evolution systems. You can combine G4/G3/G2/G1 receivers or bodypack, handheld, and plug-on transmitters. It is also compatible with EW 300/500 systems.

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