The post Canon EOS 5D Mark III DSLR Camera (Body Only) first appeared on GP.

In sequence to produce complete images fast and successfully the 5D Mark IV grip the power of the DIGIC 6+ image processor, which can produce up to 7 frames per second while constant shooting. It also operates a 150,000-pixel RGB+IR metering sensor to calculate the scene and subjects for precise exposures under a change of various lighting conditions. An upgraded 61-point High-Density Reticular AF advances the camera’s speed by tracking and locking on subjects fast and precise for tack sharp photos. A new AF area select button is now convenient as well for near-instant access to this setting.

Video satisfaction from the addition of Dual Pixel CMOS AF and Movie Servo AF to fluidly rack focus while shooting. Shooters can even utilize the 3.2″ 1.62m-dot touchscreen LCD to simply tap to regulate the focus point. Moreover, now that the camera is featured DCI 4K (4096 x 2160) video recording at up to 30 fps, users can catch 8.8MP stills from the video for an even faster capture option. Tied into the Dual Pixel sensor architecture is a brand new feature for Canon: Dual Pixel RAW, which allows for fine-tuning of certain image parameters, including bokeh shift and focuses micro-adjustment after the image is taken.

The body has been further rectified for relief and proficient of access, as well as long-lasting and weather safe. The Canon N3 remote port has been relocated to the front of the camera body and they have added both GPS and Wi-Fi with NFC to make this model a connected camera.

30.4MP Full-Frame CMOS Sensor and DIGIC 6+ Image Processor

In a row with former members of the main 5D series, the Mark IV tries to retain high resolution with low-light performance with a freshly developed 30.4MP full-frame CMOS sensor. This produces a helpful increase in overall resolution without negotiating on sensitivity. Additionally, gratitude to the DIGIC 6+ image processor it is connected with, it offers magnificent performance within a native range of ISO 100-32000, which can be enlarged to ISO 50-102400.

Adaptability is key with the 5D, as it needs to be able to handle landscapes and weddings with mastery. By operating a 150,000-pixel RGB+IR metering sensor shooters will be able to more pleasantly depend on the camera to catch tough scenes. This sensor also has face detection as well as flicker detection which can ensure proper exposure in less-than-ideal lighting situations. Together with this, the camera provides an upgraded constant shooting rate of 7 fps, making it the best option for events and activities.

High-Density Reticular AF and Dual Pixel CMOS AF Systems

Ensuring your subject is tack sharp, the 5D Mark IV incorporates an enhanced High-Density Reticular AF system, which offers 61 phase-detect points, with all points sensitive to f/8 and 41 of which are cross-type. The center point can function down to -3 EV for working in extremely dim lighting. Compared to previous versions, this sensor has expanded vertical coverage of 24% on the peripherals and 8% in the center in order to better track and locate subjects in the frame.

In addition to advanced tracking and focusing while using the optical finder for stills, Live View and video can now use Dual Pixel CMOS AF on the actual imaging sensor. This offers about 80% coverage of phase-detection autofocus for faster and more accurate focusing in these modes. It is ideal for video as users will enjoy smoother rack focusing without the downsides normally encountered with contrast-based systems. Also, this works well with the touchscreen functions, allowing shooters to just tap to adjust focus.

DCI 4K Video Recording

Designed for both professional stills shooting and video recording, the 5D Mark IV supports DCI 4K (4096 x 2160) resolution recording at up to 30 fps at 500 Mbps, along with Full HD 1080p shooting at 60 fps and HD 720p at 120 fps for slow-motion playback. When recording in-camera, 4K video has 4:2:2 sampling and 8-bit color depth, while Full HD 1080p footage has 4:2:0 sampling. Uncompressed Full HD 1080p video can also be saved via HDMI to an optional external recorder with 4:2:2 color sampling. 4K video is recorded using a central 4096 x 2160 area of the sensor at a 1.74x crop in order to record video with an ideal 1:1 pixel sampling ratio, while Full HD recording makes use of the entire full frame.

Audio can be recorded using the onboard stereo microphone or an optional external mic can also be used via the 3.5mm mic jack. Real-time audio monitoring is possible, too, via the 3.5mm headphone jack. The 4K video recording also avails the ability to take 8.8MP still frame grabs during playback on the rear touchscreen and save them as single images.

Dual Pixel RAW

First implemented here on the 5D Mark IV, Dual Pixel RAW allows photographers to record all the information the sensor’s unique pixel architecture can deliver, providing a way for fine adjustments to be made after the image is taken. These adjustments include focus fine-tuning that can help you ever-so-slightly adjust the focus point to bring out extra details, shift bokeh around for improved composition, and reduce the impact of ghosting on your photos. This requires the use of Canon’s Digital Photo Professional 4.5 software.

Body Design

• A large 3.2″ 1.62m-dot Clear View II LCD monitor is handy and characterized an anti-reflective design for glaring, vivid image playback and live view shooting mode, and its touchscreen interface can be pre-owned for natural touch-to-focus control and modifying settings in the menus.
• An inbuilt AF mode selection button situated beneath the rear joystick gives another avenue for accessing settings, permitting for quick, innate ingress to commonly changed options.
• Two Compact Flash and SD memory card slots permit you to elongate your file saving capabilities by allowing overflow recording or in-camera file type separation when shooting.
• An Intelligent Viewfinder II utilizes a pentaprism design and provides a bright means for watching. While using the viewfinder, AF points show up in red for better visibility in low-light conditions, and the finder can also be composed to display a range of other shooting aids, like as an electronic level, grid, flicker detection, white balance, metering mode, AF information, and other settings.
• A Mirror Vibration Control System helps to reduce mechanical vibrations in order to achieve good sharpness while long exposures or fast continuous shooting bursts.
• A robust magnesium alloy body design is resistant to both dust- and various weather to allow working in harsh environments.

Other Camera Features

• An in-built GPS module permits you to geotag imagery in-camera as well as auto time sync with the Universal Time Code through satellites. This module can be used with American GPS, Russian GLONASS, and Japanese quasi-zenith Michibiki satellites for covering a wide range of support.
• Digital Lens Optimizer technology recompense for a range of optical defects from different lenses, together with chromatic aberration, distortion, peripheral brightness, and diffraction, and the camera can reserve lens data in order to steer clear having to re-apply lenses earlier to each use. The camera can control this process in real-time, delivering JPEGs with the corrections already applied.
• An in-built intervalometer allows the construction of time-lapse imagery and braces recording 1-99 consecutive frames in pre-selected intervals from 1 second to 99 hours 59 minutes and 59 seconds. Users can also select to set the camera to unlimited frames.
• Built-in Wi-Fi and NFC connectivity allow wireless sharing, control, and image transfer to be used with the smart devices as well as the CS100 Connect Station.

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Image review is feasible using the 1,040,000-dot 3.2″ Clear View II LCD monitor, which characterizes a high-transparency, reflection control multi-coating for enough viewing under bright conditions. The Intelligent Viewfinder also combines a superimposed LCD giving you exposure information and produce a 100% field of view.

A highly long-lasting magnesium-alloy body border the components and produce increased dust and weather resistance. A modernized EOS Integrated Cleaning system also helps to minimize and detach dust within the camera body. Some of the physical controls on the camera body are fully custom-made for a more structured workflow and more suitable handling scheme. Dual CF and SD memory card brace can also maximize the compatibility of the camera. Support is also given for the optional Canon Wireless File Transmitter and GPS receiver for remote logging, tracking, and sending of your image.

22.3 Megapixel Full-Frame CMOS Sensor

A freshly made 22.3MP full-frame CMOS sensor is induced into the 5D Mark III giving you highly detailed, rich images with a maximized resolution of 5760 x 3840 pixels. The sensor is also characterized by a high S/N ratio and better individual pixels for increased visual depth and better-looking images. A new photodiode structure and increased photoelectric conversion rate also help to upgrade the overall sensitivity of the sensor, resulting in a minimizing in image noise and upgraded high ISO performance.

DIGIC 5+ Image Processor

Processing speed and power are expanded to develop significantly better overall performance and reaction from all aspects of the camera. New algorithms are integrated in order to produce finer noise reduction for greater ISOs and chromatic aberration compensation. The maximized in processing speed also helps to upgrade the constant shooting rate, making it to 6 full-resolution frames-per-second.

14-bit A/D Conversion

The 14-bit signal processing helps to upgrade the quality and gradation of images by fabricating more natural, smooth-looking results. A maximized ISO range is also grant, from 100 to 25600 in standard modes and 50 to 102400 in expanded modes. The ISO range can be controlled and custom-made based on the user’s choice, and additionally an auto ISO mode can be operated. This extended sensitivity range helps to counter frequently changing and hard lighting situations and significantly reduces noise when photographing with even the top-rated sensitivity.

61-Point High-Density Reticular AF

The freshly made 61-point autofocus interface helps to make sure critical focus no matter how hard the situation is. Characterized up to 41 cross-type AF points (with f/4 lens support) and 5 dual diagonal AF points (with f/2.8 sensitivity); this AF system is highly precise and highly low-light sensitive.

The devoted AF menu tab allows fast and easy access, decreasing the need to steer through settings menus in order to customize your AF settings. Autofocus point selection is divided into 6 different methods-Spot, Single Point, Single + 4 Adjacent Points, Single + 8 Adjacent Points, Zone Selection, and Automatic AF Point Selection-as well as a devoted AF configuration tool for the power of AI Servo AF III tracking parameters.

iFCL 63-Zone Dual Layer Metering Sensor

A brilliant metering system works together with the autofocus system and separately analyzes ‘Focus, Color, and Luminance’ inside the scene for the most accurate exposure settings possible. The 63 zones cover the entire image area with better detail and the dual-layer design allows a wider sensitivity to opposed wavelengths of light.

The dual layers are divided into a red/green channel and a blue/green channel; which check the red light sensitivity bias electronic sensors inherently have. A series of algorithms are deployed to join data received from both layers, with the resulting exposure reading being immensely precise regardless of the shooting conditions.

EOS HD Video

Full HD video recording is supported in multiple formats, including 1080/30p, 24p, 25p; 720/60p, 50p; 480/30p, 25p. While recording video, a 4GB automatic file partition is employed in order to gain longer continuous recording times, up to 29 minutes 59 seconds. Both All I-frame and IPB compressions are supported as well as the standard H.264/MPEG -4 AVC codec. Embedding the time code is also possible for greater convenience when recording with multiple cameras.

Video performance is further enhanced with the ability to manually adjust your exposure settings and audio levels while recording. By employing Live View, you can view your recording on the LCD and make settings changes with a dedicated menu tab on the fly. The DIGIC 5+ processor also dramatically improves video response times and helps to reduce color artifacts, aberrations, and moiré.

Rugged and Efficient Design

Constructed from magnesium alloy, the 5D Mark III features a toughened housing that provides enhanced dust and weather resistance. Its ergonomic design also produces an intuitively navigable interface with an emphasis on lessening hand strain and increasing functionality. Handling is simplified and natural with this body due to the incorporation of customizable controls: You can make shooting settings with just your right hand and fast image check and image processing operations with just your left. The redesigned grip offers easy holding when shooting or carrying the camera, while the rubber skin coating has been engineered for all-day comfort in your hand and also coats the camera’s card slot cover. Additionally, there’s an internal headphone terminal and dual card slots supporting both CF and SD / SDHC / SDXC memory cards. Three recording modes are ideal for a variety of workflows: Auto switch media instructs the camera to swap cards as soon as one card is filled, a great feature for long shoots. The camera can also record separately to each card. For extra security, you can set the Mark III to generate an automatic backup by recording the same file to both cards at the same time.

The 5D Mark III also boasts a dual-axis electronic level indicator displaying vertical and horizontal tilt on the LCD monitor–either alone or during Live View shooting. The indicator may also be displayed in the intelligent viewfinder if you prefer.

A newly designed shutter is equally as durable and has been tested up to 150,000 cycles. The lightweight, carbon fiber blades also provide support for the increased 6fps burst rate.

The body construction also features extensive gasketing for maximum dust and weather protection, even at connection points around the lens, hot shoe, and memory card slots. Further dust protection and removal are aided by an updated EOS Integrated Cleaning system that uses a vibration-based dust removal process.

Intelligent Viewfinder

The optical viewfinder provides a 100% field of view with 0.71x magnification and a wide viewing angle of 34.1%deg; A refined design integrates aspherical lens elements into the construction and lessens distortions and color aberrations while providing greater clarity for composing imagery. In addition to a clear view, a superimposed, transparent LCD is also incorporated. This Intelligent Viewfinder mode can be toggled on or off quickly at the touch of a button, allowing you to remove all camera information for unobstructed viewing. The information provided when it is on includes a customizable display of focus points and gridlines, which can also be directed to appear outside of the image area.

Canon’s Dual Axis Electronic Level can also be used in conjunction with the Intelligent Viewfinder and visually displays pitch and roll angles, aiding in properly level horizons. When used in the viewfinder, this feature can display +/- 6° of roll and +/- 4° of the pitch in 1° increment when held horizontally (the inverse is shown when held vertically). The electronic level is particularly useful for landscape photographers and those working with tilt and shift lenses whose angle of view is especially critical.

3.2″ Clear View II LCD Monitor

The expanded 3.2″ Clear View II LCD provides high-quality viewing with a 1,040,000-dot resolution and anti-reflection coating. This allows for sharp and clear viewing in even the brightest of conditions and displays images and videos with great detail and richness. The display also features a viewing angle up to 170° for review from the side or below.

The Dual Axis Electronic Level is also functional on the LCD and can display a full 360° of roll and +/- 10° of the pitch in 1° increment. When used in conjunction with Live View mode, a smaller display is placed over the image. Live View mode permits real-time image review and can also place grid lines over the image for compositional help. You can also zoom into and navigate within the image when in Live View and use the grid lines for minute control and precision over the alignment of your photograph.

Multiple Exposure and High Dynamic Range

Multiple exposures are feasible in-camera and can be set down to a single file using 4 different settings for control. When in Additive mode, this closely favors asking multiple exposures on film and layers each submission; manual exposure compensation is needed. Centre mode layers the images and automatically recompense for the final exposure, abolishing the unintended possibility of gross under or overexposure. Bright mode is specially made for photographing dark scenes with a bright subject, such as a studio environment. Dark mode functions conversely and helps to reduce overly bright sections of the image including reflections and highlights.

A High Dynamic Range (HDR) mode is also incorporated and allows for the creation of HDR images in-camera, reducing the time needed to manually overlay images in post-production. When using this mode, a series of 3 bracketed exposures are made of the same image, then automatically integrated into the same frame, resulting in a photograph without blown highlights or blocked up shadows and a long middle range of tones. This mode is especially useful when photographing scenes with a great deal of contrast.

Wireless and GPS Compatible

The 5D Mark III can be used with the WFT-E7A Wireless File Transmitter and the GP-E2 GPS Receiver. The WFT-E7A, which keep up 802.11 a/b/g/n and support an in-built Gigabit Ethernet connection, supply LAN and Bluetooth image transfers and characterized an FTP mode with mechanized image resend function to make sure file delivery even if the signal momentarily drops. The transmitter also has EOS utility mode and WFT server mode and is proficient in performing time sync multiple cameras on the same network. The GP-E2, which link via USB or Hot Shoe, automatically implant location data into the images’ metadata, including latitude, longitude, elevation, and the camera’s adaption in relation to an extent reading while shooting. It also features a GPS time sync function, especially useful when a project is shot in various time zones. Both of these accessories do not deal with the 5D Mark III’s dust and weather resistance and are created to the same rugged specifications.

Note:

Needed a firmware upgrade to be used with the GPS GP-E2, which will be available soon.

Silent Shutter Mode

In both single shot drive and continuous shot drive, a Silent Shutter mode can be operated to greatly minimize the sound the camera produce when shooting.

Electronic Level

By compressing the INFO button an electronic level can be occupied and will appear on the LCD monitor to show the horizontal and vertical tilt of your camera. This is a very supportive feature for all photographic applications, especially for landscape and architecture photography.

Optional Battery Grip

The optional dedicated Battery Grip BG-E11 (not included) is characterized by buttons and a multi-controller. It conveys seamless performance in any case of whether the camera is held in vertical or horizontal orientation. The grip takes 2 LP-E6 batteries or a comprised AA battery magazine and is useful in counter-balancing large lenses while handheld shooting.

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Secure your images are tack sharp is a 45-point cross-type AF system, which is allowed to track subjects with precision. This marks a notable refinement over its forerunner and will result in the quicker acquisition of your subject. Together with a renovated AF system, the sensor characterized Dual Pixel CMOS AF technology to produce a boost to focus in live view and video shooting, which itself has been striking up to Full HD at 60p. This setup works perfectly with the 3″ 1.04m-dot vari-angle touchscreen LCD, which allows use at various angles and with intuitive controls.

For hybrid stills/video shooters, you will appreciate the improved video quality as well as the potential to attach an external mic via a 3.5mm input. Users will also have the capability to produce 4K time-lapse movies as well as HDR videos with committed settings and modes. Additionally, the body design has got improved ergonomics and durability, as well as dust and water safety. Users will have ingress to many connectivity options as well, such as in-built Wi-Fi, NFC, and Bluetooth, for connecting to a smart device, and built-in GPS for geotagging your photos.

26.2MP Full-Frame CMOS Sensor and DIGIC 7 Image Processor

Providing boosts to both resolution and low-light performance, the 6D Mark II uses a newly originated 26.2MP full-frame CMOS sensor that works together with a DIGIC 7 Image Processor to produce sharp, vivid imagery and video. This provides great performance in low light with a native sensitivity range of ISO 100-40000, which can then be increased to ISO 50-102400 if wanted.

Helping with the capture of properly exposed images is a 7560-pixel RGB+IR metering sensor that helps to reduce the influence of flickering lights in your images and secure precise reading of the entire scene.

45-Point All-Cross Type AF and Dual Pixel CMOS AF Systems

Ensuring your subject is tack sharp, the 6D Mark II incorporates an all-cross type AF system, which offers 45 phase-detect points, for advanced tracking and focusing while using the optical finder for stills. This AF system can operate in lighting conditions as low as -3 EV and will work with various lenses with a maximum aperture of f/8 and smaller, though with a maximum of 27 points. Five different AF area selection modes are available as well, for optimizing performance to your subject matter.

When using Live View and recording video, you can now use Dual Pixel CMOS AF on the actual imaging sensor. This offers wide coverage of phase-detection autofocus for faster and more accurate focusing in these modes. It is ideal for video as users will enjoy smoother rack focusing without the downsides normally encountered with contrast-based systems. Also, this works well with the touchscreen functions, allowing shooters to just tap to adjust focus.

Full HD Video Recording

For multimedia creation, the 6D Mark II comes equipped with powerful Full HD video recording options. The 6D Mark II offers improved speed with a maximum frame rate of 60p when capturing Full HD video. It also offers Digital IS with 5-axis image stabilization to minimize the appearance of camera shake for sharper handheld shooting. This benefits recording while walking or moving, and can also be used in conjunction with lenses featuring optical IS for more effective overall stabilization. Audio is high quality as well, with the ability to use either the built-in microphone or an external microphone via a 3.5mm input.

Body Design

• A large 3.0″ 1.04m-dot vari-angle LCD monitor is obtainable for bright, vivid image playback and lives view shooting, and its touchscreen interface includes an anti-smudge design and can be used for innate touch-to-focus control and altering settings in the menus.
• A single SD card slot is obtainable for saving photos and video.
• The optical viewfinder provides approximately 98% coverage of the frame and has a magnification of 0.71x.
• The long-lasting body design is dust- and weather-resistant to allowing working in difficult environments.

Other Camera Features

• An in-built GPS module permits you to geotag imagery in-camera as well as auto time accompanied with the Universal Time Code through satellites. This module can be used with American GPS, Russian GLONASS, and Japanese quasi-zenith Michibiki satellites for a wide coverage of support.
• An in-built intervalometer allows the creation of UHD 4K time-lapse imagery and assists in recording continuous frames in pre-selected intervals.
• Bluetooth allows linking a smartphone or tablet for fast image sharing between devices as well as remote control capabilities.
• In-Built Wi-Fi and NFC connectivity allow wireless sharing, control, and image transfer can be used with a smart device as well as the CS100 Connect Station.

The post Canon EOS 6D Mark II DSLR Camera Body first appeared on GP.

24.2MP APS-C CMOS Sensor and DIGIC 6 Image Processor

Characterizing a 24.2MP APS-C CMOS sensor and DIGIC 6 image processor, the 80D is skilled in building high-resolution images with glaring clarity and reducing noise, as well as a vernacular sensitivity range of ISO 100-16000 that can be further enlarged to ISO 25600 to brace working in low-light situations. The sensor and processor duo also produce fast performance all over the camera system, counting the ability to shoot constantly at up to 7 fps or record Full HD 1080p video at 60 fps in the MP4 format.

45-Point All Cross-Type AF and Dual Pixel CMOS AF Systems

Profiting stills shooting with the ocular viewfinder, a wide-area 45-point all cross-type phase-observation autofocus system produces fast and accurate focusing in harsh lighting conditions down to -3 EV. For employed with telephoto lenses combined with extenders, 27 of the points are proficient of focusing down to f/8 and the center dual cross-type produces maximized accuracy at brighter aperture values. The cross-type design of the sensors manages better precision in low-contrast and varied lighting conditions, and the broad coverage of the 45 sensors is perfect for tracking and maintaining focus on in-motion subjects. Making use of the 45-points is a series of four AF area selection modes, counting single-point AF; Zone AF, where you can select from one of nine AF zones; Large Zone AF, which provide a choice of three selectable zones; and 45-point AF auto selection, which permit the camera to select a single point automatically.

When recording video or shooting in live view, a Dual Pixel CMOS AF system is employed that offers smooth and fast focusing performance in a similar manner to how a camcorder acquires focus. This system integrates two separate photodiodes within each pixel to provide a broad and dense network of phase-detection gathering elements across a majority of the image sensor to reduce focus hunting for faster, more direct control of focus placement. When working with still imagery, this focusing system works to acquire focus quickly and accurately, making it ideally suited to shooting and tracking moving subjects so that critical focus is attained with each shot. When shooting video, a Movie Servo AF mode offers smooth and natural focusing when changing from different subjects or different distances within the scene, as well as the ability to specify tracking sensitivity, AF speed, and Face Tracking priority. Benefited by the Touch AF system, rack focus is possible simply by touching elements within the scene on the touchscreen in order to change focus in an intuitive manner. Subject tracking in movies is also heightened due to the Dual Pixel CMOS AF system’s ability to recognize subjects and maintain focus when working within changing or cluttered scenery.

Full HD 1080p Video Recording

In addition to stills recording, the 80D also supports Full HD 1080p video recording at up to 30 fps in the MOV format with ALL-I compression or 60 fps in the MP4 format with IPB compression. Video recording is benefitted by the inclusion of Dual Pixel CMOS AF and the Movie Servo AF focusing functions, as well as the touchscreen design of the LCD monitor for intuitive control. Additionally, both headphone and microphone jacks are incorporated in the body design for advanced control over audio recording.

Unique to most video recording systems, the 80D also features an HDR Movie mode that can be used to achieve greater highlight and shadow detail when recording in high contrast scenarios. This mode captures two HD frames at different exposures, one normal and one underexposed, in short succession at up to 60 fps and then composites them during playback at 30 fps to create a movie with a longer-appearing dynamic range.

Body Design and Built-In Wi-Fi with NFC

• 3.0″ 1.04m-dot ClearView II touchscreen LCD characterizing a different-angle design to allow working from high and low angles and the touchscreen design smooth intuitive control over menu navigation and touch-to-focus operation.
• The pentaprism type Intelligent Viewfinder produces 100% frame coverage for high compositional precision while shooting at eye level. Additionally, further aiding shooting with the viewfinder, AF points and mode, compositional grids, a horizontal electronic level, and other assistive Features can be displayed while using.
• Both photos and movies can be wirelessly shared to smartphones or tablets, using the Canon Camera Connect app, for quick online sharing or backed up to the Canon Connect Station CS100 through in-built Wi-Fi with NFC connectivity. Remote shooting from a linked mobile device is also obtainable, permitting you to wirelessly configure exposure settings or release the shutter.
• The high-performance shutter mechanism has been examined for up to 100,000 cycles.

Other Camera Features

• A 7560-pixel RGB+IR metering sensor interests both autofocus and exposure metering accurately and enables Color Tracking for more precision detecting skin colors.
• An anti-flicker function automatically recompenses for flickering light sources to produce constant exposure values and color while constant shooting.
• Time-Lapse Movie unites still photos taken at set intervals into a silent movie to depict motion that falls over a long time scale.
• HDR effects are featured for stills shooting and can be applied using Natural, Art Standard, Art Bold, Art Vivid, and Art Embossed settings.
• Creative Filters can be put into creatively clarify the look of imagery, and featured Grainy Black and White, Soft Focus, Fisheye Effect, Toy Camera Effect, Miniature Effect, Art Bold Effect, and Water Painting Effect. Five dedicated effects are also provided for movie recording, an include Memory, Dream, Old Movies, Dramatic B&W, and Miniature Effect.
• In-built Picture Style settings: Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Faithful, Monochrome, and User-Defined 1-3.
• Featured Language support: English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Romanian, Ukraine, Turkish, Arabic, Thai, Simplified/Traditional Chinese, Korean, and Japanese.

The post Canon EOS 80D DSLR Camera Body first appeared on GP.

Persistent on their legacy of powerful workhorse cameras, the Canon 5D Mark IV DSLR is a marvelous still photography option and an up to 4K-capable video machine. This multimedia adept produces a modernly developed 30.4MP full-frame CMOS sensor twin with the DIGIC 6+ image processor tidy to equity fine detail and resolution with low-light performance and reactivity. It is capable to work within a native range of ISO 100-32000, which can then be enlarged to a magnificent ISO 50-102400, for sharp, quiet images in different conditions. Together with these upgrades to image quality, users will relish a performance improvement across the board with an upgraded AF system, in-built Wi-Fi, NFC, and GPS, and much more.

In order to produce complete images fast and successfully the 5D Mark IV supports the power of the DIGIC 6+ image processor, which can control up to 7 frames per second while constant shooting. It also uses a 150,000-pixel RGB+IR metering sensor to calculate the scene and subjects for precise exposures under a variety of distinct lighting conditions. An upgraded 61-point High-Density Reticular AF furthers the camera’s speed by tracking and locking onto subjects fast and precisely for nail sharp photos. A new AF area select button is now featured as well for close quick access to this setting.

Video benefits from the insertion of Dual Pixel CMOS AF and Movie Servo AF to easily framed focus during a shot. Shooters can even take benefit from the 3.2″ 1.62m-dot touchscreen LCD to plainly tap to alter the focus point. More, now that the camera has DCI 4K (4096 x 2160) video recording at up to 30 fps, users can catch 8.8MP stills from the video for an even quicker capture option. Tied into the Dual Pixel sensor design is a brand new attribute for Canon: Dual Pixel RAW, which permits for fine-tuning of certain image parameters, counting bokeh shift and focus micro adjustment, after the image is clicked.

The body has been further purified for solace and mollify of access, as well as long-lasting and weatherproof. The Canon N3 far port has been budge to the front of the camera body and they have included both GPS and Wi-Fi with NFC to make this model a connected camera.

30.4MP Full-Frame CMOS Sensor and DIGIC 6+ Image Processor

In a row with the last members of the main 5D series, the Mark IV tries to stable high resolution with low-light performance with a modernly designed 30.4MP full-frame CMOS sensor. This produces a beneficial maximization in overall resolution without compromising on flexibility. Additionally, thanks to the DIGIC 6+ image processor it is a twin with, it produces magnificent performance within a native range of ISO 100-32000, which can be enlarged to ISO 50-102400.

The utility is key with the 5D, as it needs to be able to kit landscapes and weddings with like ease. By using a 150,000-pixel RGB+IR metering sensor shooters will be able to more adequately count on the camera to seize hard scenes. This sensor is featured with face detection as well as flicker detection which can produce proper exposure in less-than-ideal lighting situations. Together with this, the camera produces an upgraded constant shooting rate of 7 fps, making it a perfect option for events and activities.

High-Density Reticular AF and Dual Pixel CMOS AF Systems

Ensuring your subject is tack sharp, the 5D Mark IV incorporates an enhanced High-Density Reticular AF system, which offers 61 phase-detect points, with all points sensitive to f/8 and 41 of which are cross-type. The center point can function down to -3 EV for working in extremely dim lighting. Compared to previous versions, this sensor has expanded vertical coverage of 24% on the peripherals and 8% in the center in order to better track and locate subjects in the frame.

In addition to advanced tracking and focusing while using the optical finder for stills, Live View and video can now use Dual Pixel CMOS AF on the actual imaging sensor. This offers about 80% coverage of phase-detection autofocus for faster and more accurate focusing in these modes. It is ideal for video as users will enjoy smoother rack focusing without the downsides normally encountered with contrast-based systems. Also, this works well with the touchscreen functions, allowing shooters to just tap to adjust focus.

DCI 4K Video Recording

Designed for both professional stills shooting and video recording, the 5D Mark IV supports DCI 4K (4096 x 2160) resolution recording at up to 30 fps at 500 Mbps, along with Full HD 1080p shooting at 60 fps and HD 720p at 120 fps for slow-motion playback. When recording in-camera, 4K video has 4:2:2 sampling and 8-bit color depth, while Full HD 1080p footage has 4:2:0 sampling. Uncompressed Full HD 1080p video can also be saved via HDMI to an optional external recorder with 4:2:2 color sampling. 4K video is recorded using a central 4096 x 2160 area of the sensor at a 1.74x crop in order to record video with an ideal 1:1 pixel sampling ratio, while Full HD recording makes use of the entire full frame.

Audio can be recorded using the onboard stereo microphone or an optional external mic can also be used via the 3.5mm mic jack. Real-time audio monitoring is possible, too, via the 3.5mm headphone jack. The 4K video recording also avails the ability to take 8.8MP still frame grabs during playback on the rear touchscreen and save them as single images.

Dual Pixel RAW

First executed here on the 5D Mark IV, Dual Pixel RAW permit photographers to record all the information the sensor’s unique pixel architecture can produce, providing a way for fine adjustments to be made after the image is taken. These adjustments contain focus fine-tuning that can help you ever-so-slightly modify the focus point to produce extra details, shift bokeh around for upgraded composition, and minimize the impact of ghosting on your photos. This needs the use of Canon’s Digital Photo Professional 4.5 software.

Body Design

• A large 3.2″ 1.62m-dot Clear View II LCD monitor is included and characterize an anti-reflective design for bright, warm image playback and live view shooting, and its touchscreen interface can be utilized for intuitive touch-to-focus control and modifying settings in the menus.
• A committed AF mode selection button located beneath the rear joystick provides another avenue for acquiring settings, allowing for quick, intuitive access to commonly changed options.
• Dual Compact Flash and SD memory card slots permit you to increase your file saving capabilities by allowing overflow recording or in-camera file type separation when shooting.
• An Intelligent Viewfinder II uses a pentaprism design and permits a bright means for viewing. While using the viewfinder, AF points are highlighted in red for better visibility in low-light conditions, and the finder can also be constructed to display a range of other shooting aids, such as an electronic level, grid, flicker detection, white balance, metering mode, AF information, and other settings.
• A Mirror Vibration Control System helps to reduce mechanical vibrations in order to greater ensure sharpness through long exposures or fast constant shooting bursts.
• A strong magnesium alloy body design is both dust- and weather-resistant to allowing working in difficult environments.

Other Camera Features

• An in-built GPS module permits you to geotag imagery in-camera as well as auto time sync with the Universal Time Code through satellites. This module is can be used with American GPS, Russian GLONASS, and Japanese quasi-zenith Michibiki satellites for a wide coverage of support.
• Digital Lens Optimizer technology recompense for a range of optical defects from different lenses, including chromatic aberration, distortion, peripheral brightness, and diffraction, and the camera can store lens data in order to avert having to re-register lenses prior to each use. The camera can handle this operation in real-time, supplying JPEGs with the corrections already bid.
• An in-built intervalometer allows the creation of time-lapse imagery and assists in recording 1-99 consecutive frames in pre-selected intervals from 1 second to 99 hours 59 minutes and 59 seconds. Users can also select to set the camera to unlimited frames.
• In-Built Wi-Fi and NFC connectivity allow wireless sharing, control, and image transfer with an amicable smart device as well as the CS100 Connect Station.

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