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Canon Extender EF 1.4X III

gprental — Thu, 01 Jul 2021 08:55:58 +0000

The Extender EF 1.4X III from Canon is designed for select Canon EF mount L-series telephoto lenses. It increases the focal length of a lens by a factor of 1.4x while still delivering superb image quality. To ensure the best possible image quality in all shooting conditions, it combines redesigned optics, improved data communication between lens and camera and enhanced environmental protection. It is ideal for photojournalists and wildlife, nature and sports photographers who need to get close to distant and challenging subjects and it reduces the need to carry heavy telephoto lenses.

The Extender EF 1.4X III features seven optical elements in three groups and all optical elements have Canon’s Super Spectra coating to reduce ghosting and flare. A new Fluorine Coating on the front and rear elements makes marks, such as spots left by water or fingerprints, much easier to clean than standard coatings.

To facilitate the accurate transfer of imaging data between the lens and camera body, the extender features an integrated processor which ensures all focusing, metering and ID information is available – allowing the photographer to capture balanced, well-exposed images. When combined with the latest range of premium Canon L-series lenses, these extenders enable AF accuracy even when capturing moving subjects. When attached, the 1.4x extender reduces the effective maximum aperture by 1 stop.

A carefully positioned lens release mechanism also makes it easy to mount the extenders quickly, reducing the time that the camera and lens are exposed to the environment. The extenders offer the exceptional build-quality expected from Canon’s professional products, and are resistant to both dust and water, allowing photographers to use them in extreme shooting conditions.

Note: This converter is only compatible with fixed focal length L-series lenses 135mm and over, as well as the EF 70-200/2.8L, EF 70-200/2.8L IS, EF 70-200/4L, and EF 100-400/4.5-5.6L. Additionally, please see the lens and/or camera body manual for full autofocus compatibility information with the Extender EF 1.4X III.

Carefully positioned lens release mechanism makes it easy to mount the extender quickly, reducing the time the camera and lens are exposed to the environment.

Integrated processor communicates between camera and lens and ensures all focusing, metering and ID information is available.

All optical elements use Canon’s Super Spectra coating, reducing ghosting and flare.

Fluorine Coating on the front and rear elements keeps soiling, smears, and fingerprints to a minimum.

Sealed to be resistant to both dust and water, allowing photographers to use them in extreme shooting conditions.

The post Canon Extender EF 1.4X III first appeared on GP.

Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR Lens

gprental — Wed, 30 Jun 2021 10:38:16 +0000

The outstanding grade zoom featuring now with Vibration Reduction image stabilization, Nikon’s AF-S NIKKOR 24-70mm f/2.8E ED VR Lens is a really adaptable wide-angle to short telephoto lens featured by its continuous f/2.8 maximum aperture and electromagnetic aperture mechanism. An altered optical design includes a one of its kind aspherical extra-low dispersion element, in addition to three aspherical, two extra-low dispersion, and one high refractive index element, to help to decrease chromatic aberrations and distortions all over the zoom range for producing high image sharpness and clarity. The Nano Crystal and Super Integrated Coatings help image quality by decreasing lens flare for upgraded contrast and color accuracy and fluorine coatings applied on the front and rear elements shield against dust, moisture, and smudging.

Applauding the image capabilities, a Silent Wave Motor AF system provides fast, silent focusing performance that is perfectly made for both stills shooting and movie recording, which can be quickly changed to manually overridden by simply turning the manual focus ring. Further granting to photographing in quick movement situations and difficult lighting, VR image stabilization recompense from camera shake by up to four shutter speed stops. Additionally, an electromagnetic aperture mechanism is in-built into the lens design to produce better exposure control stability that is especially useful while working with faster continuous shooting rates.

In-built Standard zoom design for use with FX-format Nikon F-mount cameras, this lens can also be used with DX models where it will produce a 36-105mm equivalent focal length range.

Continuous f/2.8 maximum aperture provides continuous performance all over the zoom range and also is helpful in working in harsh lighting conditions and using selective focus techniques.

A distinctive aspherical extra-low dispersion element is induced into the optical design, together with three aspherical, one high refractive index, and two extra-low dispersion glass elements, to minimize chromatic and spherical aberrations, distortion, coma, and flare for continuous edge-to-edge sharpness and illumination.

Nano Crystal and Super Integrated Coatings have been coated to lens elements to reduce surface and internal reflections for a minimizing in lens flare and ghosting.

Vibration Reduction image stabilization helps to decrease the camera shake by up to four shutter speed stops to better enable handheld shooting in low-light situations.

Silent Wave Motor affords quick, quiet, and precise autofocus performance along with full-time manual focus override. An internal focusing design is also used, where only the internal lens groups are moved during focusing, to maintain the overall length of the lens during use and to promote faster-focusing speeds.

A specialized electromagnetic aperture mechanism provides greater exposure control stability that is especially beneficial when working with fast continuous shooting rates.
The compatibility of this lens is with the following cameras: D7200, D7100, D7000, D5600, D5500, D5300, D5200, D5100, D5000, D3400, D3300, D3200, D3100, Nikon 1 J1, J2, J3, J4 with FT-1, Nikon 1 V1, V2, V3 with FT-1, and Nikon 1 S1, S2 with FT-1. D5, D4, D3 series, Df, D850, D810, D810A, D800 series, D750, D700, D610, D600, D500, D300 series, D7500

Weather-resistant design, a rear rubber gasket, and fluorine coatings applied on the front and back elements are able to protect from dust and moisture while working in harsh environments.

The post Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR Lens first appeared on GP.

Sony Alpha a6000 Mirrorless Digital Camera with 16-50mm Lens (Black)

gprental — Wed, 30 Jun 2021 09:16:23 +0000

The black Sony Alpha a6000 Mirrorless Digital Camera is a versatile and advanced mirrorless camera featuring a 24.3MP APS-C-sized Exmor APS HD CMOS sensor and BIONZ X image processor to produce high-resolution still images and Full HD movies with marked low-light quality and sensitivity to ISO 25600. Beyond notable imaging traits, the image processor also lends itself to continuous shooting up to 11 fps and an intelligent Fast Hybrid AF system that uses both phases- and contrast-detection methods to quickly and accurately acquire focus.

For live view monitoring, image playback, and menu navigation, both a large rear monitor and detailed electronic viewfinder are available. The 3.0″ 921k-dot XtraFine LCD screen features a tilting design to facilitate easier use from both high and low angles and also incorporates WhiteMagic technology for easier viewing in bright conditions. The 0.39″ 1,440k-dot Tru-Finder OLED EVF offers 100% frame coverage and a refined optical design to provide a natural viewing perspective and magnification. The body design of the a6000 also houses a configurable user interface, built around several customizable buttons and two control dials, for efficient and intuitive access to frequently used camera settings. Additionally, a Multi Interface shoe is available for attaching external flashes, continuous lights, or microphones.

Built-in Wi-Fi connectivity, with support for NFC-enabled devices, is also integrated into the a6000 to support remote camera control and image sharing to linked mobile devices. In addition to these base features, with firmware version, 2.0 users will have access to the XAVC S format for Full HD 1080p video at 24, 30, and 60 fps. This format will dramatically improve video quality by allowing the camera to capture images at a high bit rate of 50 Mbps, which holds more information than AVCHD for fewer artifacts. Along with this, users will be required to use Class 10 or faster SDXC memory cards with a capacity of 64GB or greater.

Included with the camera body is a Sony E-mount 16-50mm f/3.5-5.6 OSS Retractable Zoom Lens, which provides a 35mm-equivalent focal length range of 24-75mm. This range of perspectives is well-suited to everyday shooting and is further enhanced through the inclusion of Optical SteadyShot image stabilization for minimizing the appearance of camera shake. Power Zoom technology allows for electronic control over the zoom position and the inclusion of one extra-low dispersion element and four aspherical elements helps to reduce chromatic aberrations throughout the zoom range as well as contribute to high overall sharpness.

24.3MP Exmor APS HD CMOS Sensor and BIONZ X Image Processor

The 24.3MP APS-C-sized Exmor APS HD CMOS sensor and BIONZ X image processor work together to produce high resolution, well-detailed imagery with minimal noise and notable low-light quality and sensitivity to ISO 25600. The sensor utilizes a gapless on-chip lens design, which fills the gaps between neighboring pixels with optimized lenses that match the angle of incidence to increase light gathering ability and produce edge-to-edge sharpness and quality. The processor also contributes to providing a wealth of speed throughout the camera system, including Fast Hybrid AF, a top continuous shooting rate of 11 fps, and Full HD 1080i/p video recording in multiple frame rates.

Fast Hybrid AF System

The Fast Hybrid AF system utilizes both a 179-point phase-detection system and a 25-point contrast-detection system to achieve precise focus in as little as 0.06 sec. Utilizing a Spatial Object Detection algorithm, this fast focusing system first employs the phase-detection AF points to quickly bring the subject into focus and then uses the contrast-detection AF points, with wide AF coverage, to fine-tune the sharpness for ensured accuracy. Beyond supporting single shot modes, this system also provides AF tracking when shooting up to 11 fps in continuous high mode and functions seamlessly when recording Full HD movies.

For further refinement, a series of distinct AF modes can be selected depending on the subject. Eye AF is a detail-oriented focusing function that can prioritize a subject’s pupil and dedicate focusing performance on that for sharply-rendered portraits; Lock-on AF is a dedicated focusing method for use with moving subjects and adjusts the target frame size as the subject moves throughout the image frame; AF area settings allow you to prioritize specific regions within the frame for increased accuracy; and AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), and Manual Focus modes can also be chosen.

Full HD Video Recording

Full HD 1080p video recording is supported at 60, 30, and 24 fps in the high-quality 50 Mbps XAVC S codec. Other recording options include the ability to utilize the AVCHD and MP4 codecs, with support for recording up to 1080p60 video at 28 Mbps. Dual video recording is supported, as well, with the ability to select either XAVC S or AVCHD codecs plus a duplicate MP4 file to be recorded at the same time for greater efficiency when sharing videos online. Additionally, using the integrated HDMI type D output, both 1080i60 and 1080p60 uncompressed 8-bit 4:2:2 video can be recorded to an optional external recorder.

Complementing the video capabilities of the a6000, a built-in stereo microphone is incorporated into the design and records audio in the Linear PCM 2-channel format for XAVC S movies, the AC-3 Dolby Digital format for AVCHD movies, and the MPEG-4 AAC-LC format for web-quality MP4 videos.

Manual focus peaking and a zebra function are also available, to benefit from working in manual focus and to assure highlight detail is retained, respectively. A marker setting can be shown on the rear LCD as well, in order to display a center marker, guide frame, aspect marker, safety zone, and other pertinent features for video recording.

Body Design

Revolving around a compact and lightweight profile, the a6000 incorporates both an electronic viewfinder and a large rear LCD monitor. The Tru-Finder 0.39″ 1,440k-dot OLED EVF features a refined optical system that integrates four double-sided aspherical elements to provide 100% frame coverage and a wide 33° viewing angle for clear edge-to-edge viewing. The electronic viewfinder’s design offers a true live view image, which is able to simulate the appearance of the finalized image prior to shooting and also avails focusing aids, such as MF Assist and the Peaking function. The 3.0″ 921k-dot rear Xtra Fine monitor is a larger alternative, suitable for making accurate compositions, reviewing imagery, and navigating the menu system. It features a tilting design that can tilt upward approximately 90° or downward 45° to benefit from working from high and low angles. Additionally, WhiteMagic technology works to increase the overall brightness of the screen to better support use in bright or sunlit conditions.

Complementing the overall handling of the a6000 is a customizable user interface that includes an Fn function button and seven other buttons that can be adjusted depending upon user preferences and assigned to one of 47 different functions. Furthermore, two top dials offer an intuitive means for selecting crucial camera settings in a deft manner. A built-in pop-up flash, featuring a guide number of 19.7′ at ISO 100, is available for working in difficult lighting conditions and a Multi Interface Shoe is also available for attaching additional on-camera accessories, such as flashes, video lights, and microphones.

Built-In Wi-Fi Connectivity

Built-in Wi-Fi connectivity enables the a6000 to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for a one-touch connection between the camera and compatible mobile devices; no complex setup is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera’s shutter.

Additionally, PlayMemories Camera Apps are also supported via the built-in Wi-Fi connection and allow you to personalize the camera’s features depending on specific shooting styles. Apps are available to suit creating portraits, detailed close-ups, sports, time-lapse, motion shots, and other specific types of imagery.

Compatible Media

SD, SDHC, SDXC, Memory Stick PRO Duo, Memory Stick PRO-HG Duo, Memory Stick XC-HG Duo memory cards

Sony 16-50mm f/3.5-5.6 OSS Retractable Zoom Lens

The included black 16-50mm f/3.5-5.6 OSS Retractable Zoom Lens provides a 35mm-equivalent focal length range of 24-75mm, covering wide-angle to portrait-length perspectives to suit working in a wide variety of situations. It features Optical SteadyShot image stabilization to help minimize the appearance of camera shake by up to four shutter speed steps to greatly benefit working in low-light conditions and with greater zoom magnifications. One extra-low dispersion element and four aspherical elements are integrated into the optical construction to help reduce chromatic aberrations as well as increase clarity, sharpness, and contrast and the Power Zoom electronically-driven zoom mechanism brings greater efficiency to controlling the zoom position of the lens.

Other Camera Features

The Sony E-mount affords compatibility with an extensive number of lenses and lens adapters.
An advanced 1200-zone evaluative exposure metering sensor delivers consistent and accurate results using multi-segment, center-weighted, or spot metering modes.
Auto Object Framing is an intelligent shooting mode that can automatically analyze the scene and subjects within it and determine an aesthetically pleasing composition. The subsequent imagery will be cropped according to subject matter, resulting in a well-balanced composition that utilizes Face Detection and Tracking Focus to ensure high image quality and sharpness.
Clear Image Zoom can be used to magnify the center of scenes by 2x to effectively extend the reach of any focal length lens. This digital zoom technology uses an intelligent interpolation process to minimize the amount of image degradation in order to produce realistic, high-quality images.
Picture Effect modes allow you to apply creative settings and emphasize certain facets of individual images for a richer, more aesthetic picture quality. Posterization (Color/B&W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera, Soft High-Key, Soft Focus, HDR Painting, Rich-Tone Monochrome, Miniature, Watercolor, and Illustration modes are available.
The Photo Creativity feature provides quick access to Picture Effects as well as dedicated controls for adjusting Background Defocus, Brightness, Color, and Vividness. Additionally, these effects can be combined for nearly limitless adjustment options.
Superior Auto mode is an intelligent automated setting that can quickly identify the current shooting environment and adjust crucial camera settings to deliver optimized results. This mode also utilizes Auto HDR and Hand-held Twilight modes, which employ image compositing techniques to better handle difficult lighting conditions.
Anti-Motion Blur automatically corrects for subject movement in order to deliver clean, sharp imagery in low-light conditions. This is accomplished by recording six sequential frames and compositing portions of each image to ensure overall sharpness.
Hand-held Twilight Mode automatically composites details from six sequentially-recorded images in order to attain higher overall image sharpness when working in low-light conditions.
Multi Frame NR records consecutive images at a reduced ISO sensitivity and then composites them into a single image to realize higher effective sensitivity with minimal image noise.
Dynamic Range Optimizer (DRO) works to improve images featuring backlit subjects or scenes with high contrast where details can be lost in the shadows or highlights. This mode can be controlled automatically or fine-tuned using five settings.
Auto HDR automatically records three sequential frames of an image and composites them into a single frame to realize greater shadow and highlight detail with an extended range of mid-tones.
Creative Style settings provide control over how the camera processes images based on six different predetermined styles: Standard, Vivid, Portrait, Landscape, Sunset, and B&W. Within these settings, contrast, saturation, and sharpness can also be adjusted depending on personal preference.
In-camera creation of 4K slide shows is possible for rich playback to ultra high definition televisions. An HDMI port is incorporated into the camera’s design, too, to enable direct connection to HDTVs.
TRILUMINOS Color support is afforded by the a6000 to produce rich, natural colors when imagery is viewed on a TRILUMINOS Display.
Convenient USB charging allows you to charge the included lithium-ion battery in-camera via USB connection from either an AC outlet or PC source.

The post Sony Alpha a6000 Mirrorless Digital Camera with 16-50mm Lens (Black) first appeared on GP.

Sony Alpha a6300 Mirrorless Digital Camera with 16-50mm Lens (Silver)

gprental — Wed, 30 Jun 2021 08:40:48 +0000

Featured with fast-focusing and 4K-shooting features, the silver Sony Alpha a6300 is a versatile APS-C-format mirrorless digital camera designed for multimedia users. Featured with inbuilt redeveloped 24.2MP Exmor CMOS sensor and BIONZ X image processor, provide clean image quality with a wide expandable sensitivity range to ISO 51200, together with accelerated readout speeds for internal 4K30 and Full HD 1080p120 video recording quality with full pixel readout. Enables benefit in continuous shooting at the rate of 11 fps for up to 21 raw frames in a burst, as well as 14-bit raw file output. Made for both stills and video, the sensor and processor duo also feature 4D FOCUS, which covers a wide-coverage 425-point phase-detection system with a 169-area contrast detection system for quick and precise focusing performance. The focusing system also enables High-density Tracking AF for more efficient and precise tracking of moving objects across the image frame. A well-rounded featured camera made for both photographers and videographers, the a6300 is known for its speed and further qualified by its refined image and video quality.

The a6300 also consists of a robust magnesium alloy body that resists dust- and moisture to permit working in harsh environments. The compact profile possesses a high-resolution XGA Tru-Finder 2.36m-dot OLED electronic viewfinder for clear and eye-level viewing, and this EVF features a 120 fps viewing mode for sheeny tracking of fast-moving subjects. A rear 3.0″ 921.6k-dot LCD monitor is also available at the back of the camera and has a sleek and perfect design to benefit from shooting from high and low working angles. Wireless remote control over the camera, or for just sharing imagery online using built-in Wi-Fi with NFC permits linking with a mobile device for intuitive wireless control.

Included with the camera body is a Sony E-mount 16-50mm f/3.5-5.6 OSS Retractable Zoom Lens, which produces a 24-75mm equivalent focal length range. This variety of outlook is well-suited to daily shooting and is further enhanced through the addition of Optical SteadyShot image stabilization for reducing the camera shake. Power Zoom technology allows for electronic control over the zoom position and the inclusion of one extra-low dispersion element and four aspherical elements which reduce the chromatic aberrations throughout the zoom range as well as contributing to high overall sharpness.

24.2MP Exmor CMOS Sensor and BIONZ X Processor

The APS-C-format 24.2MP Exmor CMOS sensor set with the BIONZ X image processor to acquire smooth, nuanced image quality with the least noise and high sensitivity from ISO 100-25600, which is expandable to ISO 51200 perfect for working in low-light conditions. The sensor is made of a unique design with thin copper wiring and enhanced circuit processing to boost light-gathering abilities, reduce noise, and increase readout speeds to benefit video recording. The sensor and processor work with each other for a top continuous shooting rate of 11 fps for up to 21 raw frames in a single burst with AF and AE, 8 fps shooting in live view, and permits 14-bit raw file output for a wider tonal and color scale.

4D FOCUS

the entire sensor area is covered by a powerful 4D FOCUS system that incorporates 425 on-chip phase-detection points along with 169 contrast-detection areas for accurate focusing. The density of focus points from this hybrid AF system also permits High-density Tracking AF Technology, which is adept at tracking moving subjects in a variety of lighting conditions. The use of phase-detection points also enables the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full AF compatibility.

The apt 4D FOCUS system also subs itself to a variety of focusing functions for clarified accuracy, including Lock-on AF, which keep focusing on moving subjects throughout the use of a camera, and Expand Flexible Spot, which helps neighboring focus points to retain focus on moving subjects even if the originally selected point loses its focus. Additionally, Eye AF can be used to focus on subjects’ eyes for portraits and is available in both AF-S and AF-C modes. Autofocus can also be used in co-occurrence with the Focus Magnifier function for critical focus when focusing on minute subject details.

In addition to autofocus, the a6300 also features a Peaking MF function to benefit manual focus control by highlighted sharp edges of contrast for a more objective means of acquiring sharp focus.

UHD 4K Video Recording

Featured with Internal recording of UHD 4K movies in multiple frame rates up to 30 fps and, based on the Super35mm recording area and effective 20MP (6000 x 3376) resolution, 2.4x oversampling show every small detail and full pixel readout is possible, that is empty of pixel binning, for better quality image with reduced chromatic and aliasing. Full HD 1080p recording feature is also supported in frame rates up to 120 fps, and both resolutions use the 100 Mbps XAVC S format accommodate within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also allows 4x and 5x slow-motion movie recording with the frame rate up to 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.

Custom Color Profiles and S-Log3 Gamma

Support is available for the S-Gamut3.Cine/S-Log-3 and S-Gamut3/S-Log3 profiles that provide up to a 1300% wider dynamic range for smoother tonal and color gradations, along with enhanced sensitivity and clarity in shadows and mid-tones. These profiles also advance themselves to greater compatibility within a professional workflow and are compatible with the Cineon Log gamma curve for adaptable post-production grading and color control. The S-Log3 gamma setting also offers an impressive 14-stop wide dynamic range for greater control over the highlights and shadows, while the S-Gamut3. Cine profile can be used to mimic the qualities of scanned negative film with a wide gamut comparable to the DCI-P3 color space. Additionally, the popular S-Log2 setting is also available.

Zebra and Gamma Display Assist

An enhanced Zebra function is ideally suited to working with S-Log gamma profiles and aids in monitoring exposure values in high-contrast scenes. Video signal level targets can be set from 0 to 109, and specific ranges can be set to make exposure level adjustments easier.

In contrast, a Gamma Display Assist function is also available that displays scenes with natural contrast when recording with S-Log settings. This function converts imagery to the ITU709 profile for easier on-camera monitoring.

Time Code and User Bit Settings

A time code can be used to record hours, minutes, seconds, and frames on image data for more precise editing while the User Bit function can record date, time, and scene number to aid in editing together footage from multiple cameras.

Sony 16-50mm f/3.5-5.6 OSS Retractable Zoom Lens

The included featured 16-50mm f/3.5-5.6 OSS Retractable Zoom Lens gives a focal length of 24-75mm, covering wide-angle to portrait-length perspectives made for working in a wide variety of situations. It features Optical SteadyShot image stabilization to reduce the appearance of camera shake by up to four shutter speed benefits working in low-light conditions and with greater zoom magnifications. One extra-low dispersion element and four aspherical elements are inbuilt into the optical construction to help reduce chromatic aberrations as well as increase clarity, sharpness, and contrast, and the Power Zoom electronically-driven zoom mechanism provides greater efficiency to controlling the zoom position of the lens.

The post Sony Alpha a6300 Mirrorless Digital Camera with 16-50mm Lens (Silver) first appeared on GP.

Sony E 18-135mm f/3.5-5.6 OSS Lens

gprental — Wed, 30 Jun 2021 08:29:17 +0000

Introducing a wide-angle lens to medium telephoto range, the Sony E 18-135mm f/3.5-5.6 OSS is a flexible 27-202.5mm equivalent zoom for APS-C-format E-mount mirrorless cameras. Featured with the range of focal lengths is an Optical SteadyShot image stabilization system, which reduces the camera shake for sharper handheld shooting results. Capable of producing sharper imagery is a linear autofocus motor, which delivers quick and accurate focusing performance that is also most suited to video recording applications. Balancing with the handling trait, this lens also supports an intelligent optical design that uses both extra-low dispersion glass and aspherical elements to control spherical and chromatic aberrations for high sharpness and clarity throughout the zoom range.

Multifaceted zoom designed for APS-C-format E-mount mirrorless cameras, this 18-135mm lens gives you a 27-202.5mm equivalent focal length range.

Duo extra-low dispersion elements help you to reduce color fringing and chromatic aberrations for producing greater clarity and color accuracy in an image.

One aspherical element helps to control warp and reduce spherical aberrations for greater sharpness and accurate furnishing.

Optical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with a select camera’s sensor-shift type image stabilization for more effective control of camera blur.

A linear autofocus motor provides quick and precise autofocus performance and enables accurate and silent focusing while recording videos. Additionally, a dedicated AF/MF switch allows for quick changes between focusing methods.

Minimum focusing distance of 1.5′ along with a maximum magnification of 0.29x benefit working with close-up subjects.

A rounded seven-blade diaphragm helps to get a pleasing bokeh quality when employing selective focus techniques.

The post Sony E 18-135mm f/3.5-5.6 OSS Lens first appeared on GP.

Aputure Light Storm LS300X LED Light Kit

gprental — Tue, 15 Jun 2021 07:07:44 +0000

Featured Aputure Light Storm LS300X LED Light Kit is the first light to go far off traditional bi-color lighting by employing the dilate different-white CCT range of 2700-6500K, providing comfortable aluminum tones and cooler than daylight whites. The excellent light can be faded from a powerful main light to fine, variation fill light, glimmer-free across the fading range. The Controller Box is attached to the LS300X head with a 9.8-foot head extension cable, so altering settings is undemanding anyhow of where the light is laid. The auto-mated, multi-voltage controller also set off using single or dual V-mount batteries, perfect for lighting in remote locations.

Robust Bi-Color Performance

Blend the new optical color-blending technology with Aputure’s dual-color LED chipset supply unparalleled flexibility from a single LED fixture. A specially-designed color-blending optical element in front of the chipset merge the LED output into a single compatible point light source. The highly systematic light output renders at CRI 95, TLCI 98, plus higher than industry standard SS1 85, and D55-SSI 74 ratings. This level of productivity means colors and skin tones will be reproduced with an extra high degree of accuracy.

Local Control, DMX, 2.4 GHz Wireless, and Bluetooth Remote Control Options

Innate local controls and a bright LCD display on the Controller Box permit accurate and citable setups locally. In addition, the output may be managed using the included 2.4 GHz wireless remote, or the light may be anti-discrimination into a DMX network via the 5-pin XLR in/out ports. Also, thanks to Aputure’s integrated Sidus Mesh network chipset, all the 300X’s functions may be overseen by the Sidus Link app, idle to download for iOS and Android portable devices. The app also allows saving presets, adjusting/triggering lighting effects, luminance, and CCT, as well as installation of firmware updates, all from your smartphone or tablet.

Dual Output Modes

Constant Output Mode allows precision CCT adjustment while maintaining constant luminance, and even shift color temperature seamlessly during a scene. Max Output Mode will maximize CCT and dimming levels within the 4000-5500K range.

Bowens S-Mount Versatility

The integrated Bowens-S mount allows using an almost limitless number of available modifiers to narrow, diffuse, or otherwise sculpt the light to suit any application or creative vision.

Four Available Dimming Modes

Linear
Exponential
Logarithmic
S-Curve

5 Available Common CCT Presets

2700K
3200K
4200K
5500K
6500K

Nine Customizable Built-In Lighting Effects

Paparazzi
Fireworks
Lightning
Faulty Bulb
TV
Pulsing
Strobe
Explosion
Fire

The post Aputure Light Storm LS300X LED Light Kit first appeared on GP.

Manfrotto MT190XPRO4 Aluminum Tripod

gprental — Tue, 15 Jun 2021 06:57:42 +0000

The black, redesigned MT190XPRO4 Aluminum Tripod from Manfrotto builds on the success and popularity of the previous 190 series with professional hardware and convenience features that make it even easier to use than its predecessor.

Set up is faster than ever with Manfrotto’s Quick Power Lock System that allows you to completely extend the tripod legs with just one hand. Once set up you can use the MT190XPRO4’s rapid center column in standard vertical mode or swing it into horizontal position like a boom with Manfrotto’s 90° Column feature. Enlarged tabs on the individual leg angle selectors allow you to get down to only 3.2″ for macro work with the column in horizontal mode. And once you’re down there you can attach any of Manfrotto’s flexible or articulated arms to hold lights or reflectors via the Easy Link plug built into the tripod’s spider.

Convenience features include grippy, rubber leg warmers on two legs for cold or inclement weather and a bubble level that rotates so that you can see it easily regardless of the tripod’s position. Finally, Manfrotto’s insistence on form following function has yielded a tripod that you’ll not only be happy to use but you’ll be happy to be seen with, too.

Fast Setup with QPL

The Quick Power Lock (QPL) system is one of the most eye-catching and unique features of the redesigned 190. It is a strong, ultra fast, ergonomic locking system that allows for complete extension of the legs with one hand.

90° Column

One of the most innovative aspects of the 190 series is its compactness, which allows for easier portability. The redesigned patented 90° Column is accessible whenever you need it with simple one finger operation.

Easy Link Plug

The plug allows instant connection between tripod and accessories, such as LED lights for macro photography and DSLR video applications using Manfrotto articulated arms and brackets.

Rotating Leveling Bubble

The bubble is easy to read, whatever the shape of the head or however the tripod is positioned. Just rotate it towards you for easy viewing.

Leg Angle Selectors

Each leg has a user selection of 4 angles to accommodate uneven ground or rough terrain. The selectors are manufactured according to most innovative ergonomic standards to prevent fingers and nails being trapped in the upper casting.

Manfrotto’s Eye to Style and Design Detail

The entire shape of the tripod has been modified and made more manageable and stylish. The complete redesign of its functional elements shows particular attention to aesthetics and details: the brand name, for example, appears in many sections of the new 190, including the two legwarmers made of comfortable rubber to provide a secure grip and prevent the conduction of heat and cold in extreme weather conditions.

The post Manfrotto MT190XPRO4 Aluminum Tripod first appeared on GP.

Zoom H6 All Black 6-Input / 6-Track Portable

gprental — Tue, 15 Jun 2021 06:44:14 +0000

Stint the original gray H6 is packed with two mic capsules and surcharge accessories, the Zoom H6 All Black mobile handheld recorder characterizes a smooth black finish and a single mic capsule, making it perfect for bands, multi-instrumentalists, and podcasters who don’t instantly need the extras. With its X/Y stereo microphone capsule, six flexible mic/line inputs, and up to 6-track recording, the H6 All Black is both user-friendly and simply broad.

Like other H-Series Handy recorders such as the H4n Pro and H5, you can hold it in your hand, seize it to a mic stand or tripod, or ascend it to a camera; the H6 All Black packs an imposing attire of characterizing into a rugged, waxed body that’s more than ready to meet the diverse demands of musicians, content creators, videographers, and sound designers.

From the innate, tangible controls to the ample battery life and powerful audio convert functions, the H6 All Black is well provided for construct pristine audio for absolute musical arrangements, independent films, and panel podcasts. It can provide phantom or plug-in power for condenser mics, or accept direct links from synths, keyboards, drum machines, or +4 dB line-level mixers. No matter the source, selectable auto-recording and pre-recording make sure that you’ll never miss the start of a take, and stereo safety track recording produce duplicate tracks at a lower level to avoid twist.

Original H6 vs H6 All Black

Because the original H6 supports a gray finish, dual interchangeable stereo mic capsules, and premium accessories—a protective case, a foam windscreen, and a USB cable, the H6 All Black 2020 Version is consulted in a smooth, solid black finish and incorporate a single stereo mic capsule. Pair versions compromise four AA batteries for powering the H6 on the go.

Fast, User-Friendly Operability

The H6 All Black’s front panel is cushy in order with its most crucial and commonly used controls—transport buttons for record, play/pause, stop, back, and forward operations, separated record-arm buttons that binary as mute switches during playback, large gain knobs, and pad switches. For more safety, a hold control disables all front-panel buttons to avert accidental operation while recording.

Day or night, view vital information such as audio levels, recording time, battery status, and more on the 2″ full-color LCD, which occur to be led and slant for greatest visibility.

Instant Access to Gain Adjustments

Each H6 input has its own dedicated gain control lump. There’s no track selection or button grave essential to develop your recording levels; just turn the dials anytime you need to alter the gain. If your XLR-1/4″ input sources are blaring that you need even less acquire than the amplifier provides at the “0” setting, use four front-panel pad control to reduce the combo inputs by 20 dB.

X/Y Stereo Microphone Capsule

Evacuate your exterior mics at home and travel light; the H6 All Black covers a stereo microphone capsule. With nothing more than the H6, you’re set to evidence a diverse of sources, even ear-rattling ones up to 136 dB!

The matching black X/Y capsule produces clear, phase-accurate capture in two kinds of X/Y positions—90° for a dense stereo image or 120° for a vast perspective. Just twist the capsules to their notable positions to shift between the two configurations.

Supports Interchangeable Zoom Mic Capsules

The Zoom mic capsule inserts on the H6 All Black lodge Zoom’s line of individually accessible interchangeable capsules, which can be changed out as easily as the lenses of a camera. With shock-mounted X/Y, Mid-Side, and mono or stereo shotgun mic capsules to select from, you can record music, dialog, or sound effects without conduct an external microphone setup. Choose the EXH-6 combo input capsule to receive two additional mic/line signals through XLR-1/4″ jacks.

Six Channels of Microphone/Line Inputs

Supplied with four XLR-1/4″ combo inputs and a 3.5mm stereo mini-jack input (on the X/Y capsule), the H6 All Black can board condenser microphones, +4 dB balanced line-level sources, or signals from unstable instruments with active electronics. Turn on 12, 24, or 48 VDC phantom power to the XLR jacks, or 2.5V plug-in brawn to the mini-jack. Whether you plan on recording studio condenser mics, nourish from wireless receivers, or a lavalier and shotgun mic combo for an interview, the H6 All Black’s booster is ready to bring low-noise (-120 dB EIN) performance.

Record All Channels Live or Overdub Layers

The H6 All Black brag 6-channel recording at up to 24-bit / 96 kHz resolution. Record all channels together or employ the multi-tracked function to put in layers of instruments after an early recording. Alter levels and pans for your tracks, then use the internal mixdown function to mix six tracks down to a stereo file.

SD Card Recording and Audio Interface Functionality

Louden stretched by recording directly to an SD card (up to 2GB capacity), SDHC card (up to 32GB capacity), or SDXC card (up to 128GB capacity). A 2GB card will submit over 3 hours of 16-bit / 44.1 kHz stereo recording time employ the BWF-compliant WAV format for unlading audio quality and accustomed file affinity. Note that media cards are available individually, and greater capacity cards will increase startup times.

If not, work the H6 All Black as a 6-in / 2-out USB 2.0 audio jointed at up to 24-bit / 96 kHz. For audio interface operation with an iPad, select USB stereo mode, which tender two channels in and out at up to 16-bit / 48 kHz.

3.5mm Outputs for Simultaneous Hookup to a Camera and Headphones

The H6 All Black showoff 3.5mm line and headphone mini-jack outputs for at once sustain your camera/DSLR and a set of headphones. Separately alter the headphone volume through the side-panel volume control. For fast playback reference, a built-in monophonic speaker is also featured.

Powered via AA Batteries or AC Adapter

Strength the H6 All Black through four featured AA batteries, or plug it into a wall outlet with an AD-17 AC adapter (available separately). Alkaline batteries retain the H6 running for over 20 hours of constant 16-bit / 44.1 kHz recording using the X/Y mic capsule, or for more than 9 hours of nonstop 24-bit / 96 kHz recording by using the X/Y mic and the four XLR-1/4″ inputs. While using the H6 All Black in the stereo USB audio interface mode, USB bus power is achievable.

Rugged and Portable, Handheld or Mounted

The long-lasting ergonomic body sub itself naturally to handheld use. Ought to need to mount it on a mic stand or tripod, an interlaced hole on the back of the H6 All Black preclude the need for stand adapters. Acquire a hot shoe adapter to connect the H6 All Black straight to a DSLR.

Signal Processing Adds Sonic Polish

The H6 All Black’s onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low-frequency rumble. Normalize files for maximum gain, split them into smaller chunks, and even insert up to 99 marks per recording.

There’s an onboard metronome and tuner, and you can loop playback and adjust pitch and speed independently, making the H6 All Black an ideal tool for phrase training.

Special Recording Functions

The H6 All Black offers selectable recording functions designed to prevent you from accidentally missing the start of a performance. By keeping the previous two seconds (one second at 96 kHz) of audio whenever you press the record button, the pre-record option ensures that you’ll never cut off the beginning of a great take. Auto-record can automatically start recording when a user-set sound level is detected, making it great for voice-activated recording.

The backup record enables the H6 All Black to automatically record a duplicate of the L/R input with 12 dB less input gain. Even if your original track is distorted, chances are the Backup version will be fine!

Supports External Remote Control

Use the RCH-6 remote (available separately in the APH-6 accessory pack) to control the transport, arm tracks, and adjust the volume at a distance while eliminating handling noise.

Includes Audio Software

The H6 All Black comes with free download licenses for Steinberg’s Cubase LE music production software and WaveLab LE audio editing software, representing a complete audio production toolkit.

The post Zoom H6 All Black 6-Input / 6-Track Portable first appeared on GP.

Zhiyun-Tech Crane-2 3-Axis Stabilizer

gprental — Tue, 15 Jun 2021 06:36:58 +0000

The Zhiyun-Tech Crane-2 is a 3-axis handheld gimbal stabilizer that reinforces mirrorless and DSLR cameras weighing up to 7 lb. Mount your camera on the involved Manfrotto-standard quick release plate, balance it and shoot straight for up to 18 hours on the included batteries. A rod-mount mechanical focus motor is featured and can be used via the gimbal’s handwheel or an optional remote control for the Crane 2. It can be range to the focus or zoom ring of your lens for following focus or zoom control. A support rod, USB cable, and two universal lens gear rings are also included for attaching and connecting the focus motor and using it with virtually all lenses.

The Crane-2 also permits digital follow focus control with the gimbal handwheel for select Canon DSLRs and the Nikon D850 with united autofocus lenses. Just connect the camera to the gimbal with the featured USB cables, and after a few settings adjustments, you’ll have direct focus control without requiring the external motor.

The Crane-2 features a 360° pan, 320° tilt, and 360° roll adjustment. Multiple different special shooting modes give you an option to get extra creative with the gimbal. Full-range POV mode enables 360° synchronous movement along all three axes. This means that the camera will lock into a single position and accompany your movements without any limits, as resistant to an evening out at some point.

Gimbal settings are easily adjustable using the onboard control buttons and an OLED display. For protection, a “slow-fall” feature saves your camera from an abrupt drop when the Crane-2 is powered down.

Features

Featured external rod-mount focus motor for mechanical follow focus/zoom control
360° pan, 320° tilt, and 360° roll adjustment feature
The payload of 7 lb
Straight 18-hour runtime using the included batteries
Digital follow focus control for select Canon cameras and the Nikon D850 with compatible autofocus lenses
The Manfrotto-standard quick release plate
The “Slow-fall” feature protects your camera from a sudden drop when the Crane-2 is powered down

Firmware Update v1.76 (June 2019)

Full-range POV: 360° synchronous movement access on all three axes—instead of leveling off while moving, the camera will remain locked in position no matter how far you move the gimbal, allowing for true POV shots
Vortex mode: Add dynamic movements to your barrel shot and open up possibilities
Direct control support for the Nikon Z6 and Z7 via the control panel—take photos, start/stop recording video, and control various other parameters

The post Zhiyun-Tech Crane-2 3-Axis Stabilizer first appeared on GP.

Sony Alpha a7R IV Digital Camera Body

gprental — Tue, 15 Jun 2021 05:56:57 +0000

Moving to an even higher resolution realm, the Sony Alpha a7R IVA continues the noteworthy series of highly capable full-frame cameras, characterized by impressive stills and video performance, and versatility. This fourth edition of the a7R sees the inclusion of an updated 61MP Exmor R BSI CMOS sensor and enhanced BIONZ X image processor, which affords impressive imaging results with marked smoothness, a 15-stop dynamic range, and, of course, speed. Up to 10 fps shooting is possible along with the ability to record UHD 4K30 video, both with support for Real-time Eye AF and Tracking AF technologies. The revised sensor design uses a Fast Hybrid AF System, with 567 phase-detection autofocus points, for notably fast and accurate focusing performance. Despite being such a high-resolution sensor, it is also distinguished by its flexible native sensitivity range from ISO 100-32000 for working in a variety of lighting conditions. Additionally, benefitting both stills and video operation, the a7R IVA retains the 5-axis SteadyShot INSIDE sensor-shift image stabilization, which is effective to minimize the appearance of camera shake by up to 5.5 stops.

Balancing the imaging merits, the a7R IVA also sees an updated physical design with more robust weather sealing to suit working in especially harsh weather conditions. In terms of usability, the OLED electronic viewfinder has been boosted to an impressive 5.76m-dot resolution for clear viewing and the 3.0″ rear tilting touchscreen LCD has a high 2.36m-dot resolution for crisp playback, live view shooting, and menu navigation. Dual SD card slots are both UHS-II-rated for faster performance and the inclusion of a USB Type-C port permits tethering and quick in-camera battery charging. Additionally, built-in Bluetooth and both 2.4 and 5 GHz Wi-Fi bands afford wireless transferring and remote camera control from linked mobile devices

a7R IVA Improvements

Compared to its predecessor the a7R IV, the significant improvement of the a7R IVA is the rear LCD resolution, which jumps from 1,440,000 dots to 2,359,296 dots. Besides this improvement, the a7R IV and a7R IVA are equal in specifications and performance.

Dedicated Accessories from Sony

Complementing the camera body is a trio of accessories to increase battery life and enhance audio recording capabilities when shooting video. The VG-C4EM Vertical Grip is the dedicated battery grip, which accepts up to two more NP-FZ100 batteries for extended shooting times. Its ergonomic design also enhances handling when shooting in the vertical orientation.

For improved audio recording, and making use of the a7R IVA’s updated Multi Interface Shoe and digital audio interface, there is the ECM-B1M Shotgun Microphone, which delivers a digital audio stream directly to the camera for cleaner quality with low noise. For even more advanced audio control, there is also the XLR-K3M XLR Adapter Kit, which is a dual-channel digital XLR audio adapter for connecting external microphones to the camera while still benefitting from the digital audio interface.

61MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor

Featuring a back-illuminated design, the full-frame 61MP Exmor R CMOS sensor works with the BIONZ X image processor to offer impressively high-resolution stills and video while minimizing noise, improving speed, and achieving a wide 15-stop dynamic range. This sensor structure works with a gapless on-chip lens design and an anti-reflection coating, as well as eliminating the optical low-pass filter, to improve light collection and enhance detail. Also, the copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution 61MP stills with a native sensitivity range from ISO 100-32000, which can be further expanded to ISO 50-102400. Also, it enables internal UHD 4K video recording with a wide 14-stop dynamic range using either the full width of the full-frame sensor or an APS-C-sized area. The BIONZ X processor also works in conjunction with a high-speed front-end LSI to realize faster processing times along with the ability to capture this impressive 15-stop dynamic range with smooth tonal rendering.

The sensor and processor combination also avails fast continuous shooting at up to 10 fps at full resolution, for up to 68 consecutive frames, with full-time AF/AE.

Fast Hybrid AF System

An updated Fast Hybrid AF system now employs a combination of 567 phase-detection points, which cover approximately 99.7% of the height and 74% of the width of the frame, along with 425 contrast-detection areas for reliable and quick autofocus and subject tracking performance. This focusing system also achieves especially quick speed and reliable tracking, as well as enhanced low-light focusing response down to -3 EV. The use of phase-detection points also enables the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full continuous AF/AE tracking compatibility.

The apt focus system also lends itself to a variety of focusing functions for refined accuracy, including Lock-on AF, which maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject and Expand Flexible Spot, which employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus. Additionally, Eye AF can be used to base focus on recognized human subjects’ eyes for portraits and is available in both AF-S and AF-C modes, for both stills and video. Eye AF can be used when photographing animal subjects, too, with any focusing mode when shooting stills. Autofocus can also be used in conjunction with the Focus Magnifier function for critical focus when homing in on minute subject details. The rear touchscreen can also be used for Touch Focus control, and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder.

Body Design and Built-In Wi-Fi/Bluetooth

An updated UXGA OLED Tru-Finder EVF is featured and has a 5.76m-dot resolution for bright, clear viewing in rich detail, and a dedicated High-quality setting enables a 120 fps to refresh rate for especially smooth playback of moving subjects.
In addition to the EVF, a 3.0″ 2.36m-dot rear LCD is also available, which has a touch panel design for intuitive operation and focusing control. The screen also tilts upward 107° and downward 41° to benefit from working from high and low angles.
Magnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses and the grip rigidity has been improved for more comfortable hand-holding.
Extensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for reliable operation in harsh weather conditions.
Using the same NP-FZ100 battery as its predecessor, the a7R IVA’s battery life is rated for approximately 530 shots per charge with the EVF or 660 shots with the rear LCD.
Dual SD memory card slots allow for flexible file saving and handling and can be configured to partition raw and JPEG files or can be used for overflow recording. Both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.
Integrated PC sync terminal for wired flash sync with strobe packs or wireless radio remotes.
A USB 3.2 Gen 1 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged from the host power source while connected.
Updated Multi-Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provides improved, clear audio recording sound by sending digital audio signal to the camera, opposed to an analog signal.
The a7R IVA also features a 3.5mm microphone input jack for compatibility with external microphones.
Built-in Wi-Fi enables the a7R IVA to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. Support for both 2.4 and 5.0 GHz bands also enables wireless tethered shooting support. NFC (Near Field Communication) is also supported, which allows for a one-touch connection between the camera and compatible mobile devices; no complex setup is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera’s shutter.
Bluetooth connectivity allows for location data acquisition.

5-Axis SteadyShot INSIDE Image Stabilization

Packed into the robust a7R IVA is a 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.

For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.

Pixel Shift Multi Shooting

This unique compositing mode allows you to achieve even greater resolution than the 61MP sensor affords. Working in conjunction with the sensor-shift image stabilization, this mode shifts the sensor while making 16 consecutive exposures in order to acquire approximately 240.8MP of information for greater color accuracy and detail than possible with a single exposure, along with an impressive image size of 19,008 x 12,672-pixels. These files can then be merged together during post-production by using the Sony Imaging software suite.

UHD 4K Video Recording in XAVC S Format

Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the Super35mm recording area and effective 6K resolution, oversampling renders greater detail and full pixel readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full-frame 4K recording has also been dramatically improved for improved quality when working at mid to high sensitivities to permit full use of the entire sensor width. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.

4K video recording also avails the ability to produce 8MP stills during playback by taking a frame grab from a movie and storing it as a separate file.

Additional Video Features

Support for HDR Content:

Affording extensive customizable color and gamma controls, the a7R IVA allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal than traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.

Slow & Quick Motion:

Take more control over your video capture capabilities with a variety of new frame rates available in an S&Q mode. This will allow shooters to capture Full HD video at one of either step between 1-120 fps. These settings will allow you to slow down action as well as speed up a slow-moving scene. This setting is also NTSC/PAL switchable.

Enhanced Zebra Function:

An enhanced Zebra function is ideally suited to aid in monitoring exposure values in high-contrast scenes. Video signal level targets can be set from 0 to 109, and specific ranges can be set to make exposure level adjustments easier.

Time Code and User Bit Settings:

A time code can be used to record hours, minutes, seconds, frames on image data for more precise editing while the User Bit function can record date, time, and scene number to aid in editing together footage from multiple cameras.

Proxy Recording:

UHD 4K movies and lower-resolution proxy movies can be simultaneously recorded. The smaller proxy files are ideal for quick previewing or pre-editing that can reduce the time required for final 4K editing.

Other Camera Features

A Rating function lets you assign star values, from 1-5 to images in-camera for faster editing and sorting at home during post-production.
An advanced 1200-zone evaluative exposure metering sensor delivers consistent and accurate results using multi-segment, center-weighted, or spot metering modes.
Highlight and Average metering modes help avoid blown-out highlights and provide stable auto-exposure, respectively.
Anti-flicker shooting automatically recognizes and times the shutter action to minimize the flicker effect for more consistent results on still images.
Picture Effect modes: Posterization (Color), Posterization (B/W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera (Normal/Cool/Warm/Green/Magenta), and Soft High-Key.
Creative Style modes: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps).

The post Sony Alpha a7R IV Digital Camera Body first appeared on GP.