For viewing live monitoring, image playback, and menu navigation, both a large rear monitor and detailed electronic viewfinder are featured. The 3.0″ 921k-dot XtraFine LCD screen is designed with a lean design to ease simple use from both high and low angles and also includes WhiteMagic technology for effortless viewing in bright conditions. The 0.39″ 1,440k-dot Tru-Finder OLED EVF offers 100% frame coverage and a purified optical design to produce a natural viewing perspective and magnification. The body design of the a6000 also adobe a configurable user interface, built around various customizable buttons and two control dials, for orderly and natural access to regularly used camera settings. Additionally, a Multi-Interface shoe is accessible for linking external flashes, continuous lights, or microphones.

In-Built Wi-Fi connectivity, with support for NFC-enabled devices, is also unified into the a6000 to brace remote camera control and image sharing to linked mobile devices. In addition to these features, with firmware version, 2.0 users will have fit to the XAVC S format for Full HD 1080p video at 24, 30, and 60 fps. This format will dramatically upgrade video quality by permitting the camera to catch images at a high bit rate of 50 Mbps, which holds more information than AVCHD for fewer artifacts. Along with this, users will be vital to use Class 10 or faster SDXC memory cards with a capacity of 64GB.

24.3MP Exmor APS HD CMOS Sensor and BIONZ X Image Processor

The 24.3MP APS-C-sized Exmor APS HD CMOS sensor and BIONZ X image processor work jointly to create high resolution, well-detailed imagery with reduced noise and remarkable low-light quality and sensitivity to ISO 25600. The sensor employs a cyclical on-chip lens design, which fills the gaps between connecting pixels with optimized lenses that match the angle of incidence to maximize light gathering ability and obtain edge-to-edge sharpness and quality. The processor also helps to provide a wealth of speed all-around the camera system, plus Fast Hybrid AF, a top consistent shooting rate of 11 fps, and Full HD 1080i/p video recording in multiple frame rates.

Fast Hybrid AF System

The Fast Hybrid AF system employs both a 179-point phase-detection system and a 25-point contrast-detection system to produce accurate focus in as little as 0.06 sec. Employing a Spatial Object Detection algorithm, this fast focusing system first utilizes the phase-detection AF points to rapidly bring the subject into focus and then uses the contrast-detection AF points, with wide AF coverage, to fine-tune the sharpness to guarantee precision. Beyond supporting single shot modes, this system also produces AF tracking while shooting up to 11 fps in constant high mode and functions seamlessly while recording Full HD movies.

For further clarification, a series of marked AF modes can be selected depending on the subject. Eye AF is a detail-oriented focusing function that can arrange a subject’s pupil and devoted focusing performance on that for sharply-rendered portraits; Lock-on AF is a devoted focusing method for use with moving subjects and adjusts the target frame size as the subject moves all over the image frame; AF area settings permit you to array specific regions within the frame for maximized accuracy; and AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), and Manual Focus modes can also opt.

Full HD Video Recording

Full HD 1080p video recording is carrying at 60, 30, and 24 fps in the high-quality 50 Mbps XAVC S codec. Other recording options involve the skill to employ the AVCHD and MP4 codecs, with support for recording up to 1080p60 video at 28 Mbps. Dual video recording is supported, as well, with the skill to select either XAVC S or AVCHD codecs plus a duplicate MP4 file to be recorded at the same time for better efficiency while sharing videos online. Additionally, using the merged HDMI type D output, both 1080i60 and 1080p60 uncompressed 8-bit 4:2:2 video can be recorded to an optional external recorder.

Applauding the video capabilities of the a6000, an in-built stereo microphone is absorbed into the design and records audio in the Linear PCM 2-channel format for XAVC S movies, the AC-3 Dolby Digital format for AVCHD movies, and the MPEG-4 AAC-LC layout for web-quality MP4 videos.

Manual focus peaking and a zebra function are also obtainable, to interest working in physical focus and to promise highlight detail is maintained, separately. A marker setting can be shown on the rear LCD as well, in order to display a center marker, guide frame, aspect marker, safety zone, and other relevant features for video recording.

Body Design

Turn round around a compress and lightweight profile, the a6000 includes both an electronic viewfinder and a large rear LCD monitor. The Tru-Finder 0.39″ 1,440k-dot OLED EVF characterized a clarified optical system that includes four double-sided aspherical elements to supply 100% frame coverage and a wide 33° viewing angle for clear brink viewing. The electronic viewfinder’s design provides a true live view image, which is able to imitate the aspect of the settle image prior to shooting and also provides focusing aids, such as MF Assist and the Peaking functions. The 3.0″ 921k-dot rear Xtra Fine monitor is a big alternative, worthy for making precise compositions, assess imagery, and navigating the menu system. It quality a lean outline that can tilt upward approximately 90° or downward 45° to advantage working from high and low angles. Additionally, WhiteMagic technology works to maximize the overall brightness of the screen to finer support use in bright or sunlit conditions.

Applauding the overall handling of the a6000 is a custom-made user interface that comprises an Fn function button and seven other buttons that can be adjusted turn on upon user preferences and assigned to one of 47, unlike functions. Moreover, two top dials extent an intuitive means for selecting crucial camera settings in a deft manner. A built-in pop-up flash, promoting a guide number of 19.7′ at ISO 100, is obtainable for working in harsh lighting conditions, and a Multi Interface Shoe is also featured for attaching additional on-camera accessories, such as flashes, video lights, and microphones.

Built-In Wi-Fi Connectivity

In-Built Wi-Fi connectivity allows the a6000 to quickly share the image to mobile devices for direct sharing online to social networking, through email, and to cloud storage sites. Near Field Communication is also keep up, which permits for a one-touch connection between the camera and amicable mobile devices; no complex setup is needed. Once connected, the linked mobile device can also exhibit a live view image on its screen and remotely control the camera’s shutter.

Additionally, PlayMemories Camera Apps are also kept up through the built-in Wi-Fi connection and permit you to customize the camera’s features hang on specific shooting styles. Apps are obtainable to suit creating portraits, detailed close-ups, sports, time-lapse, motion shots, and other specific types of imagery.

Other Camera Features

• The Sony E-mount affords compatibility with an extensive number of lenses and lens adapters.
• An advanced 1200-zone evaluative exposure metering sensor delivers consistent and accurate results using multi-segment, center-weighted, or spot metering modes.
• Auto Object Framing is an intelligent shooting mode that can automatically analyze the scene and subjects within it and determine an aesthetically pleasing composition. The subsequent imagery will be cropped according to the subject matter, resulting in a well-balanced composition that utilizes Face Detection and Tracking Focus to ensure high image quality and sharpness.
• Clear Image Zoom can be used to magnify the center of scenes by 2x to effectively extend the reach of any focal length lens. This digital zoom technology uses an intelligent interpolation process to minimize the amount of image degradation in order to produce realistic, high-quality images.
• Picture Effect modes allow you to apply creative settings and emphasize certain facets of individual images for a richer, more aesthetic picture quality. Posterization (Color/B&W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera, Soft High-Key, Soft Focus, HDR Painting, Rich-Tone Monochrome, Miniature, Watercolor, and Illustration modes are available.
• The Photo Creativity feature provides quick access to Picture Effects as well as dedicated controls for adjusting Background Defocus, Brightness, Color, and Vividness. Additionally, these effects can be combined for nearly limitless adjustment options.
• Superior Auto mode is an intelligent automated setting that can quickly identify the current shooting environment and adjust crucial camera settings to deliver optimized results. This mode also utilizes Auto HDR and Hand-held Twilight modes, which employ image compositing techniques to better handle difficult lighting conditions.
• Anti-Motion Blur automatically corrects for subject movement in order to deliver clean, sharp imagery in low-light conditions. This is accomplished by recording six sequential frames and compositing portions of each image to ensure overall sharpness.
• Hand-held Twilight Mode automatically composites details from six sequentially recorded images in order to attain higher overall image sharpness when working in low-light conditions.
• Multi Frame NR records consecutive images at a reduced ISO sensitivity and then composites them into a single image to realize higher effective sensitivity with minimal image noise.
• Dynamic Range Optimizer (DRO) works to improve images featuring backlit subjects or scenes with high contrast where details can be lost in the shadows or highlights. This mode can be controlled automatically or fine-tuned using five settings.
• Auto HDR automatically records three sequential frames of an image and composites them into a single frame to realize greater shadow and highlight detail with an extended range of mid-tones.
• Creative Style settings provide control over how the camera processes images based on six different predetermined styles: Standard, Vivid, Portrait, Landscape, Sunset, and B&W. Within these settings, contrast, saturation, and sharpness can also be adjusted depending on personal preference.
• In-camera creation of 4K slide shows is possible for rich playback to ultra high definition televisions. An HDMI port is incorporated into the camera’s design, too, to enable direct connection to HDTVs.
• TRILUMINOS Color support is afforded by the a6000 to produce rich, natural colors when imagery is viewed on a TRILUMINOS Display.
• Convenient USB charging allows you to charge the included lithium-ion battery in-camera via USB connection from either an AC outlet or PC source.

The post Sony Alpha a6000 Mirrorless Digital Camera Body (Black) first appeared on GP.

Accompanying the imaging assets, the a6500 also supports a strong magnesium alloy body that is dust- and moisture-proof to allowing working in difficult environments. The small size profile includes a high-resolution XGA Tru-Finder 2.36m-dot OLED electronic viewfinder for vivid, clear, eye-level viewing, and this EVF features a 120 fps viewing mode for smooth tracking of fast-moving subjects. A rear 3.0″ 921.6k-dot touchscreen LCD monitor is also accessible and has a lean design to comfort shooting from high and low working angles, and the touchscreen design permits intuitive touch-to-focus control. Additionally, for wireless remote control over the camera, or for just sharing an image online, built-in Wi-Fi with NFC allows linking with a mobile device for intuitive wireless control.

24.2MP Exmor CMOS Sensor and BIONZ X Processor

The APS-C-format 24.2MP Exmor CMOS sensor coupled with the BIONZ X image processor to achieve smooth, nuanced image quality with reduced noise and high sensitivity from ISO 100-25600, which can further be enlarged to ISO 51200 for working in low-light conditions. The sensor characterizes a distinctive design that uses thin copper wiring, enhanced circuit processing, and an enhanced front-end LSI to raise light-gathering abilities, decrease noise, and maximize readout speeds to benefit video recording. The sensor and processor union also avails a top constant shooting rate of 11 fps for up to 301 standard JPEG frames or 107 raw frames in a single burst with AF and AE and allowing 14-bit raw file output for a wider tonal and color scale.

5-Axis SteadyShot INSIDE Image Stabilization

Loaded into the willowy a6500 is a 5-stop productive 5-axis SteadyShot INSIDE image stabilization system that repays for five different types of camera shake encountered while handheld shooting of stills and video. This permits users to securely use any lens, even adapted lenses, for critical imaging without run into a blur from the camera shake.

For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will interest from the insertion of horizontal and vertical shift compensation. All shooting styles will get employ out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.

4D FOCUS

Awning the entire sensor area, a strong 4D FOCUS system combine 425 on-chip phase-detection points together with 169 contrast-detection areas for accurate focusing in as little as 0.05 seconds. The density of focusing points from this hybrid AF system also permits High-density Tracking AF Technology, which is an expert at tracking moving subjects in numerous lighting conditions. The use of phase-detection points also permits the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full AF compatibility.

The apt 4D FOCUS system also promotes itself to numerous focusing functions for clear accuracy, including Lock-on AF, which preserve focus on moving subjects all-round the use of a configurable frame that is set over the desired moving subject, and Expand Flexible Spot, which engages neighboring focus points to gain focus on moving subjects even if the originally selected point loses focus. As well, Eye AF can be used to base focus on grant subjects’ eyes for portraits and is accessible in both AF-S and AF-C modes. Autofocus can also be used in coincidence with the Focus Magnifier function for reproving focus when homing in on minute subject details.

In addition to autofocus, the a6500 also characterizing a Peaking MF function to interest manual focus control by spotlight sharp edges of different for a more objective means of achieving sharp focus.

UHD 4K Video Recording

Internal recording of UHD 4K movies is achievable in multiple frame rates up to 30 fps and, built with the Super35mm recording area and effective 20MP (6000 x 3376) resolution, 2.4x oversampling provide better detail and full pixel readout is achievable, that is null of pixel binning, for better quality imager with minimized moiré and aliasing. Full HD 1080p recording also assists in frame rates up to 120 fps, and both resolutions use the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also authorizes 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. Besides high-resolution internal recording, loosen up HDMI output also allow the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.

4K video recording also avails the facility to manufacture 8MP stills during playback by taking a frame grab from a movie and storing it as a separate file.

Custom Color Profiles and S-Log3 Gamma

Support is available for the S-Gamut3.Cine/S-Log-3 and S-Gamut3/S-Log3 profiles that enable up to a 1300% wider dynamic range for smoother tonal and color gradations, along with enhanced sensitivity and clarity in shadows and mid-tones. These profiles also lend themselves to greater compatibility within a professional workflow and are well-paired to the Cineon Log gamma curve for versatile post-production grading and color control. The S-Log3 gamma setting also offers an impressive 14-stop wide dynamic range for greater control over the highlights and shadows, while the S-Gamut3. Cine profile can be used to mimic the qualities of scanned negative film with a wide gamut comparable to the DCI-P3 color space. Additionally, the popular S-Log2 setting is also available.

Slow & Quick Motion

Take more control over your video capture capabilities with a variety of new frame rates available in an S&Q mode. This will allow shooters to capture Full HD video at one of either step between 1-120 fps. These settings will allow you to slow down action as well as speed up a slow-moving scene. This setting is also NTSC/PAL switchable.

Zebra and Gamma Display Assist

An enhanced Zebra function is ideally suited to working with S-Log gamma profiles and aids in monitoring exposure values in high-contrast scenes. Video signal level targets can be set from 0 to 109, and specific ranges can be set to make exposure level adjustments easier.

In contrast, a Gamma Display Assist function is also available that displays scenes with natural contrast when recording with S-Log settings. This function converts imagery to the ITU709 profile for easier on-camera monitoring.

Time Code and User Bit Settings

A time code is used to record hours, minutes, seconds, and frames on image data for more accurate editing while the User Bit function can record date, time, and scene number to aid in editing joint footage from multiple cameras.

Body Design and Built-In Wi-Fi

• A strong magnesium alloy body provides a durable profile, and also includes dust and moisture resistance to save it against difficult environments. This strength is carried over to the shutter’s design, too, which is rated to resist more than 200,000 cycles.
• The XGA Tru-Finder 2.36m-dot OLED electronic viewfinder provides a bright, high-resolution means for eye-level monitoring, and also supports a committed 120 fps mode for polished viewing while tracking moving subjects.
• A 3.0″ 921.6k-dot LCD touchscreen can be tilted 90° upward or 45° downward perfect for working from high and low angles. The screen also integrates White Magic technology with an RGBW pixel structure for improved brightness to bear use in daylight conditions.
• The touchscreen design avails entrance to Touch Focus control, for instant focus point selection, as well as a Touchpad function that allows you smoothly and intuitively select a focus point on the screen when you’re looking into the viewfinder.
• Nine customizable buttons are featured to control more than 64 functions for more natural handling.
• The featured NP-FW50 rechargeable lithium-ion is rated for 350 shots per charge while working with the viewfinder, or 400 shots per charge with the LCD screen.
• Along with the battery, the a6500 can also be charged through a USB connection to a computer or mobile battery. This connection can also be used to charge the battery.
• A strong metal lens mounts better assist in working with larger, heavier lens designs.
• A fitting grip structure is perfect for long shooting sessions and smooth easy access to the main control buttons and dials.
• In-Built Wi-Fi allows the a6500 to quickly share an image to mobile devices for direct sharing online to social networking, through email, and to cloud storage sites. NFC also keeps up, which permits for a one-touch connection between the cameras and can be used with mobile devices; no complex setup is needed. Once connected, the linked mobile device can also show a live view image on its screen and remotely control the camera’s shutter.
• Bluetooth connectivity permits for location data acquisition.
• PlayMemories Camera Apps are also kept up through the in-built Wi-Fi connection and permit you to customize the camera’s features depending on specific shooting styles. Apps are available perfect for creating portraits, detailed close-ups, sports, time-lapse, motion shots, and other specific types of imagery.

Other Camera Features

• Highlight and Average metering modes assist to avoid blown-out highlights and supply stable auto-exposure, individually.
• Exposure standard adjustment permits you to tween exposure parameters for each metering mode independently from -1 to +1 EV in 1/6-stop increments.
• A Silent Shooting mode makes use of an electronic shutter function for total quiet performance that is perfect for photographing in delicate areas. While using this mode, up to 3 fps continuous shooting is featured with autofocus and auto-exposure.
• Multi Frame NR records continuous images at a minimize ISO sensitivity and then alloys them into a single image to achieve increased effective sensitivity with reduced image noise.
• Dynamic Range Optimizer works to upgrade images promote backlit subjects or scenes with high contrast where details can be lost in the shadows or highlights. This mode can be guided automatically or fine-tuned using five settings.
• Auto HDR automatically records three sequential frames of an image and compounds them into a single frame to achieve better shadow and highlight detail with an increased range of mid-tones.
• An advanced 1200-zone evaluative exposure metering sensor conveys compatible and precise results while using multi-segment, center-weighted, or spot metering modes.
• While working with ISO Auto settings, you can construct a reduced shutter speed setting to finer ensure sharp imagery.
• Clear Image Zoom can be used to boost the center of scenes by 2x to successfully expand the reach of any focal length lens. This digital zoom technology uses an intelligent interpolation process to reduce the amount of image degradation fix up to produce realistic, high-quality images.
• In-built Picture Effect: Posterization (Color, B/W), Pop Color, Retro Photo, Partial Color (R, G, B, Y), High Contrast Monochrome, Toy Camera, Soft High-key, Soft Focus, HDR Painting, Rich-tone Monochrome, Miniature, Watercolor, and Illustration.
• Featured with Creative Style: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, and Sepia; contrast, saturation, and sharpness can be adjusted across +/- 3 steps.

The post Sony Alpha a6500 Mirrorless Digital Camera (Body Only) first appeared on GP.

Stabilizing the imaging credit, the a7R IV also sees modernize physical design with more strong weather resistance to perfect working in, especially difficult weather conditions. In terms of convenience, the OLED electronic viewfinder has been raised to a magnificent 5.76m-dot resolution for better viewing and the 3.0″ rear tilting touchscreen LCD has a great 1.44m-dot resolution for fragile playback, live view shooting, and menu navigation. Dual SD card slots are both UHS-II-evaluated for quick performance and the insertion of a USB Type-C port allows restrain and fast in-camera battery charging. Additionally, in-built Bluetooth and both 2.4 and 5 GHz Wi-Fi bands manage wireless transferring and remote camera control from linked mobile devices.

Dedicated Accessories from Sony

Applauding the camera body is a trilogy of accessories to maximum battery life and increased audio recording faculty while shooting video. The devoted battery grip, which receives up to two more NP-FZ100 batteries for expanded shooting times. Its livable design also intensifies handling while shooting in the vertical orientation.

For upgraded audio recording, and making use of the a7R IV’s modernize Multi Interface Shoe and digital audio interface, which produce a digital audio stream straight to the camera for lucid quality with little noise. For even more modern audio control, which is a dual-channel digital XLR audio adapter for linking external microphones to the camera when still profiting from the digital audio interface.

61MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor

Characterizing a back-illuminated design, the full-frame 61MP Exmor R CMOS sensor performs with the BIONZ X image processor to provide soberly high-resolution stills and video when reducing noise, refine speed, and attaining a wide 15-stop dynamic range. This sensor structure performs with a gapless on-chip lens design and an anti-reflection coating, as well as removing the optical low-pass filter, to upgrade light collection and intensified detail. Also, the copper wiring layer dramatically upgrades data transmission speed for producing 14-bit, high-resolution 61MP stills with a vernacular sensitivity range from ISO 100-32000, which can be dilated to ISO 50-102400. Also, it allows internal UHD 4K video recording with a wide 14-stop dynamic range using either the full width of the full-frame sensor or an APS-C-sized area. The BIONZ X processor also works jointly with a high-speed front-end LSI to achieve faster processing times together with the ability to catch this impressive 15-stop dynamic range with smooth tonal rendering.

The sensor and processor combination also avails quick constant shooting at up to 10 fps at full resolution, for up to 68 consecutive frames, with full-time AF/AE.

Fast Hybrid AF System

A renovated Fast Hybrid AF system now hires a union of 567 phase-detection points, which protect approximately 99.7% of the height and 74% of the width of the frame, together with 425 contrast-detection areas for authentic and fast autofocus and subject tracking performance. This focusing system also attains especially fast speed and valid tracking, as well as improved low-light focusing response down to -3 EV. The use of phase-detection points also qualifies the use of A-mount lenses through the optional LA-EA3 or LA-EA1 lens mount adapters with full constant AF/AE tracking compatibility.

The suitable focus system also advances itself to a different of focusing functions for better accuracy, together with Lock-on AF, which carry focus on moving subjects all-over the use of a customizable frame that is set over the wanted moving subject, and Expand Flexible Spot, which hires neighboring focus points to regain focus on moving subjects even if the originally selected point loses focus. Additionally, Eye AF can be used to base focus on acknowledged human subjects’ eyes for portraits and is obtainable in both AF-S and AF-C modes, for both stills and video. Eye AF can be used for photographing animal subjects, too, with any focusing mode when shooting stills. Autofocus can also be used jointly with the Focus Magnifier function for reproving focus when homing in on minute subject details. The rear touchscreen can also be used for Touch Focus control, and a Touchpad Focus Control mode allows you to use the rear screen intuitively when keeping your eye to the viewfinder.

Body Design and Built-In Wi-Fi/Bluetooth

• A renovated UXGA OLED Tru-Finder EVF is included and has a 5.76m-dot resolution for bright, clear viewing in rich detail, and a devoted High-quality setting allow a 120 fps refresh rate for especially smooth playback of moving subjects.
• Additionally featured with the EVF, a 3.0″ 1.44m-dot rear LCD is also obtainable, which has a touch panel design for intuitive operation and focusing control. The screen also tilts upward 107° and downward 41° to help in working from high and low angles.
• Magnesium alloy body convinces rigor, durability, and stability being remaining lightweight. The lens mount has also been upgraded to better support heavy lenses and the grip rigidity has been upgraded for more comfortable hand-holding.
• Sustainably weather-resistant, including increased sealing around the battery cover, terminal cover, and chassis joints, has been employed to reduce dust and moisture for authentic operation in difficult weather conditions.
• Using the same NP-FZ100 battery as its forerunner, the a7R IV’s battery life is rated for around 530 shots per charge with the EVF or 670 shots with the rear LCD.
• Dual SD memory card slots permit for pliant file saving and handling and can be constructed to partition raw and JPEG files or can be used for overflow recording. Both of the card slots are rated to assist UHS-II memory cards for quick transfer speeds.
• United PC sync terminal for wired flash connect with strobe packs or wireless radio remotes.
• A USB 3.2 Gen 1 Type-C port has been added, included to a micro-USB port, for quicker, more authentic tethering support. The USB Type-C connection permits the camera to be charged from the host power source when connected.
• Renovated Multi-Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which produces upgraded, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
• The a7R IV also features a 3.5mm microphone input jack that can be used with external microphones.
• In-Built Wi-Fi allows the a7R IV to quickly share the image to mobile devices for direct sharing online to social networking, through email, and to cloud storage sites. Support for both 2.4 and 5.0 GHz bands also supports wireless tethered shooting support. NFC is also supported, which permit for one-touch connection between the camera and can be used with mobile devices; no complex set-up is needed. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera’s shutter.
• Bluetooth connectivity permit location data acquisition.

5-Axis SteadyShot INSIDE Image Stabilization

Packed into the robust a7R IV is a 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.

For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.

Pixel Shift Multi Shooting

This unique compositing mode allows you to achieve even greater resolution than the 61MP sensor affords. Working in conjunction with the sensor-shift image stabilization, this mode shifts the sensor while making 16 consecutive exposures in order to acquire approximately 240.8MP of information for greater color accuracy and detail than possible with a single exposure, along with an impressive image size of 19,008 x 12,672-pixels. These files can then be merged together during post-production by using the Sony Imaging software suite.

UHD 4K Video Recording in XAVC S Format

Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the Super35mm recording area and effective 6K resolution, oversampling renders greater detail and full pixel readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full-frame 4K recording has also been dramatically improved for improved quality when working at mid to high sensitivities to permit full use of the entire sensor width. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.

4K video recording also avails the ability to produce 8MP stills during playback by taking a frame grab from a movie and storing it as a separate file.

Additional Video Features

Support for HDR Content:

• Affording extensive customizable color and gamma controls, the a7R IV allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal than traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.

Slow & Quick Motion:

• Take more control over your video capture capabilities with different new frame rates obtainable in an S&Q mode. This will permit shooters to catch Full HD video at one of either step between 1-120 fps. These settings will permit you to slow down action as well as speed up a slow-moving scene. This setting is also NTSC/PAL improved Zebra Function fungible:

• An improved Zebra function is perfectly suited to support monitoring exposure values in high-contrast scenes. Video signal level targets can be set from 0 to 109, and specific ranges can be set to make exposure level adjustments simple.

Time Code and User Bit Settings:

• A time code can be used to record hours, minutes, seconds, and frames on image data for more accurate editing while the User Bit function can record date, time, and scene number to support editing together footage from multiple cameras.

Proxy Recording:

• UHD 4K movies and lower-resolution proxy movies can be independently recorded. The smaller proxy files are perfect for fast previewing or pre-editing that can minimize the time needed for final 4K editing.

Other Camera Features

• A Rating function lets you allot star values, from 1-5 to images in-camera for quicker editing and sorting at home while post-production.
• An advanced 1200-zone evaluative exposure metering sensor produces continuous and precise results using multi-segment, center-weighted, or spot metering modes.
• Highlight and Average metering modes assist in avoiding blown-out highlights and produce stable auto-exposure, respectively.
• Anti-flicker shooting automatically realizes and times the shutter action to reduce the flicker effect for more compatible results on still images.
• In-built Picture Effect modes: Posterization (Color), Posterization (B/W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera (Normal/Cool/Warm/Green/Magenta), and Soft High-Key.
• Featured Creative Style modes: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps).

The post Sony Alpha a7R IV Mirrorless Digital Camera (Body Only) first appeared on GP.

Far away just renovated to the imaging system, the a7 III’s body design has also been amended to feature a rear 3.0″ 922k-dot touchscreen LCD, which has a lean design to better carry working from high and low angles. A 2.36m-dot Tru-Finder OLED EVF is also characterized for brilliant and clear eye-level monitoring. For better shooting flexibility, binate SD memory card slots are now characterized, and a larger NP-FZ100 battery is also utilized to produce up to approximately 710 shots per charge. Perfect for the camera’s use in trying conditions, the magnesium-alloy chassis and weather-resistant also supply the a7 III dust- and moisture-resistant.

24.2MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor

Made by a back-illuminated design, the full-frame 24.2-megapixel Exmor R CMOS sensor operates with the BIONZ X image processor to produce high-resolution stills and video while reducing noise and improving speed. This sensor structure operates with a nonstop on-chip lens design and an anti-reflection coating for better light collection and increased detail. Also, the copper wiring layer completely upgraded data transmission speed for producing 14-bit, high-resolution stills with a vernacular sensitivity range from ISO 100-51200, which can be farther dilated to ISO 50-204800. Also, it authorizes internal UHD 4K video recording with a wide dynamic range applying the full width of the full-frame sensor. The BIONZ X processor also works in co-occurrence with a high-speed front-end LSI to produce quick processing times along with the capability to catch an impressive 15-stop dynamic range at low sensitivity values.

The sensor and processor union also allow quick and constant shooting at up to 10 fps at full resolution, for up to 177 consecutive frames, and with full-time AF/AE while working with either a mechanical shutter or an electronic shutter. If you are shooting in live view mode, a constant shooting rate of up to 8 fps is also possible.

Fast Hybrid AF System

An upgraded 4D FOCUS system now utilizes a union of 693 phase-detection points, which surround approximately 93% of the frame, together with 425 contrast-detection areas for authentic and fast autofocus and subject tracking performance. This Fast Hybrid AF System now produces twice the focusing speed and more accurate tracking compared to the last 7 models, as well as upgraded low-light focusing. The use of phase-detection points also utilizes the use of A-mount lenses through the optional LA-EA3 or LA-EA1 lens mount adapters with full constant AF/AE tracking harmony.

The apt focus system also advances itself to a different of focusing functions for clear precision, comprising Lock-on AF, which preserve focus on active subjects all over the use of a selective frame that is set over the desired moving subject and Expand Flexible Spot, which utilizes neighboring focus points to regain focus on moving subjects even if the originally selected point loses its focus. Additionally, Eye AF can be utilized to base focus on recognized subjects’ eyes for portraits and is obtainable in both AF-S and AF-C modes. Autofocus can also be used in concurrence with the Focus Magnifier function for critical focus while highlighting minute subject details. The rear touchscreen can also be used for Touch Focus control and a Touchpad Focus Control mode which allows you to use the rear screen intuitively while keeping your eye to the viewfinder.

5-Axis SteadyShot INSIDE Image Stabilization

Load into the strong a7 III is a 5-cease effective 5-axis SteadyShot INSIDE image stabilization system that reimburses for five kinds of camera shake experienced during handheld shooting of stills and video. This allows users to securely use any lens, even adapted lenses, for critical imaging without experiencing blur from camera shake.

For long focal lengths, the system will accurate for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will be helpful from the insertion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will be working at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.

UHD 4K Video Recording in XAVC S Format

Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and using 2.4x oversampling renders greater detail and full pixel readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full-frame 4K recording has also been dramatically improved for improved quality when working at mid to high sensitivities to permit full use of the entire sensor width. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mb/s XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.

Affording extensive customizable color and gamma controls, the a7 III allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal than traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.

Body Design and Built-In Wi-Fi/Bluetooth

• An XGA OLED Tru-Finder EVF is featured and has a 2.36m-dot resolution and 0.78x magnification for bright, clear viewing in high detail. This viewfinder design also affords the use of autofocus in the Focus Magnifier mode as well as improved focusing peaking to benefit manual focus operation.
• In addition to the EVF, a 3.0″ 922k-dot rear LCD is also obtainable, which has a touch panel design for in-built operation and focusing control. The screen also tilts upward 107° and downward 41° to help to work from high and low angles.
• Magnesium-alloy frame satisfies rigor, longevity, and balance while remaining lightweight. The lens mount has also been refined to better support heavy lenses and provides grip rigidity has been upgraded for more comfortable hand-holding.
• Weather-resistant has been employed to save from dust and moisture for good operation in difficult weather conditions.
• Using the featured NP-FZ100 battery, the a7 III has upgraded battery life and is now rated for approximately 710 shots per charge.
• Dual SD memory card slots are provided for flexible file saving and handling and can be arranged to partition raw and JPEG files or can be used for overflow recording. One of the card slots is made to support UHS-II memory cards.
• A USB 3.0 Type-C port has been featured, in addition to a micro-USB port, for quicker, more valid tethering support. The USB Type-C connection allows the camera to be charged from the host power source while connected.
• In-built Wi-Fi helps the a7 III to quickly share images with mobile devices for direct sharing online to social networking, through email, and to cloud storage sites. NFC is also braced, which permits for a one-touch connection between the camera and compatible mobile devices; no complex setup is needed. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera’s shutter.
• Bluetooth connectivity permits you to location data acquisition.

Other Camera Features

• A Rating function permits you to assign star values, from 1-5 to images in-camera for quick editing and sorting at home while post-production.
• An advanced 1200-zone evaluative exposure metering sensor produces continuous and precise results through multi-segment, center-weighted, or spot metering modes.
• Highlight and Average metering modes assist you to circumvent blown-out highlights and give stable auto-exposure.
• Anti-flicker shooting robotically acknowledges and times the shutter action to reduce the flicker effect for more accordant results on still images.
• Featured with Picture Effect modes: Posterization (Color), Posterization (B/W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera (Normal/Cool/Warm/Green/Magenta), and Soft High-Key.
• In-built Creative Style modes: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps).

The post Sony Alpha a7 III Mirrorless Digital Camera (Body Only) first appeared on GP.

The post Sony Alpha a6000 Mirrorless Digital Camera with 16-50mm Lens (Black) first appeared on GP.

The a6300 also consists of a robust magnesium alloy body that resists dust- and moisture to permit working in harsh environments. The compact profile possesses a high-resolution XGA Tru-Finder 2.36m-dot OLED electronic viewfinder for clear and eye-level viewing, and this EVF features a 120 fps viewing mode for sheeny tracking of fast-moving subjects. A rear 3.0″ 921.6k-dot LCD monitor is also available at the back of the camera and has a sleek and perfect design to benefit from shooting from high and low working angles. Wireless remote control over the camera, or for just sharing imagery online using built-in Wi-Fi with NFC permits linking with a mobile device for intuitive wireless control.

Included with the camera body is a Sony E-mount 16-50mm f/3.5-5.6 OSS Retractable Zoom Lens, which produces a 24-75mm equivalent focal length range. This variety of outlook is well-suited to daily shooting and is further enhanced through the addition of Optical SteadyShot image stabilization for reducing the camera shake. Power Zoom technology allows for electronic control over the zoom position and the inclusion of one extra-low dispersion element and four aspherical elements which reduce the chromatic aberrations throughout the zoom range as well as contributing to high overall sharpness.

24.2MP Exmor CMOS Sensor and BIONZ X Processor

The APS-C-format 24.2MP Exmor CMOS sensor set with the BIONZ X image processor to acquire smooth, nuanced image quality with the least noise and high sensitivity from ISO 100-25600, which is expandable to ISO 51200 perfect for working in low-light conditions. The sensor is made of a unique design with thin copper wiring and enhanced circuit processing to boost light-gathering abilities, reduce noise, and increase readout speeds to benefit video recording. The sensor and processor work with each other for a top continuous shooting rate of 11 fps for up to 21 raw frames in a single burst with AF and AE, 8 fps shooting in live view, and permits 14-bit raw file output for a wider tonal and color scale.

4D FOCUS

the entire sensor area is covered by a powerful 4D FOCUS system that incorporates 425 on-chip phase-detection points along with 169 contrast-detection areas for accurate focusing. The density of focus points from this hybrid AF system also permits High-density Tracking AF Technology, which is adept at tracking moving subjects in a variety of lighting conditions. The use of phase-detection points also enables the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full AF compatibility.

The apt 4D FOCUS system also subs itself to a variety of focusing functions for clarified accuracy, including Lock-on AF, which keep focusing on moving subjects throughout the use of a camera, and Expand Flexible Spot, which helps neighboring focus points to retain focus on moving subjects even if the originally selected point loses its focus. Additionally, Eye AF can be used to focus on subjects’ eyes for portraits and is available in both AF-S and AF-C modes. Autofocus can also be used in co-occurrence with the Focus Magnifier function for critical focus when focusing on minute subject details.

In addition to autofocus, the a6300 also features a Peaking MF function to benefit manual focus control by highlighted sharp edges of contrast for a more objective means of acquiring sharp focus.

UHD 4K Video Recording

Featured with Internal recording of UHD 4K movies in multiple frame rates up to 30 fps and, based on the Super35mm recording area and effective 20MP (6000 x 3376) resolution, 2.4x oversampling show every small detail and full pixel readout is possible, that is empty of pixel binning, for better quality image with reduced chromatic and aliasing. Full HD 1080p recording feature is also supported in frame rates up to 120 fps, and both resolutions use the 100 Mbps XAVC S format accommodate within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also allows 4x and 5x slow-motion movie recording with the frame rate up to 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.

Custom Color Profiles and S-Log3 Gamma

Support is available for the S-Gamut3.Cine/S-Log-3 and S-Gamut3/S-Log3 profiles that provide up to a 1300% wider dynamic range for smoother tonal and color gradations, along with enhanced sensitivity and clarity in shadows and mid-tones. These profiles also advance themselves to greater compatibility within a professional workflow and are compatible with the Cineon Log gamma curve for adaptable post-production grading and color control. The S-Log3 gamma setting also offers an impressive 14-stop wide dynamic range for greater control over the highlights and shadows, while the S-Gamut3. Cine profile can be used to mimic the qualities of scanned negative film with a wide gamut comparable to the DCI-P3 color space. Additionally, the popular S-Log2 setting is also available.

Zebra and Gamma Display Assist

An enhanced Zebra function is ideally suited to working with S-Log gamma profiles and aids in monitoring exposure values in high-contrast scenes. Video signal level targets can be set from 0 to 109, and specific ranges can be set to make exposure level adjustments easier.

In contrast, a Gamma Display Assist function is also available that displays scenes with natural contrast when recording with S-Log settings. This function converts imagery to the ITU709 profile for easier on-camera monitoring.

Time Code and User Bit Settings

A time code can be used to record hours, minutes, seconds, and frames on image data for more precise editing while the User Bit function can record date, time, and scene number to aid in editing together footage from multiple cameras.

Sony 16-50mm f/3.5-5.6 OSS Retractable Zoom Lens

The included featured 16-50mm f/3.5-5.6 OSS Retractable Zoom Lens gives a focal length of 24-75mm, covering wide-angle to portrait-length perspectives made for working in a wide variety of situations. It features Optical SteadyShot image stabilization to reduce the appearance of camera shake by up to four shutter speed benefits working in low-light conditions and with greater zoom magnifications. One extra-low dispersion element and four aspherical elements are inbuilt into the optical construction to help reduce chromatic aberrations as well as increase clarity, sharpness, and contrast, and the Power Zoom electronically-driven zoom mechanism provides greater efficiency to controlling the zoom position of the lens.

The post Sony Alpha a6300 Mirrorless Digital Camera with 16-50mm Lens (Silver) first appeared on GP.

Applauding the imaging assets, the a6500 also supports a tough magnesium alloy body that is dust- and moisture-proof to allow working in difficult environments. The small size profile includes a high-resolution XGA Tru-Finder 2.36m-dot OLED electronic viewfinder for bright, clear, eye-level viewing, and this EVF characterizes a 120 fps viewing mode for effortless tracking of fast-moving subjects. A rear 3.0″ 921.6k-dot touchscreen LCD monitor is also featured and has a lean design made for shooting from high and low working angles, and the touchscreen design permit intuitive touch-to-focus control. Additionally, for wireless remote control over the camera, or for just sharing imagery online, in-built Wi-Fi with NFC allows linking with a mobile device for intuitive wireless control.

24.2MP Exmor CMOS Sensor and BIONZ X Processor

The APS-C-format 24.2MP Exmor CMOS sensor connects with the BIONZ X image processor to produce smooth, variation image quality with reduced noise and high sensitivity from ISO 100-25600, which can further enlarge to ISO 51200 for working in low-light conditions. The sensor characterizes a solitary design that employs thin copper wiring, increased circuit processing, and an enhanced front-end LSI to promote light-gathering abilities, minimized noise, and maximized readout speeds to benefit video recording. The sensor and processor duo also avails a top continuous shooting rate of 11 fps for up to 301 standard JPEG frames or 107 raw frames in a single burst with AF and AE and allowing 14-bit raw file output for a wider tonal and color scale.

5-Axis SteadyShot INSIDE Image Stabilization

Packed into the slim a6500 is a 5-stop effective 5-axis SteadyShot INSIDE image stabilization system that requires five different types of camera shake run into while handheld shooting of stills and video. This permits users to highly use any lens, even adapted lenses, for critical imaging without experiencing blur from camera shake.

For long focal lengths, the system will accurate for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will interest from the insertion of horizontal and vertical shift compensation. All shooting styles will get employment out of the roll compensation. All 5 axes of stabilization will task at all times, even when used with third-party lenses and adapters or lenses with in-built optical stabilization.

4D FOCUS

Casing the entire sensor area, a powerful 4D FOCUS system includes 425 on-chip phase-detection points together with 169 contrast-detection areas for accurate focusing in as little as 0.05 seconds. The mass of focusing points from this hybrid AF system also authorizes High-density Tracking AF Technology, which is adroit at tracking moving subjects in different lighting conditions. The use of phase-detection points also employs the use of A-mount lenses through the optional LA-EA3 or LA-EA1 lens mount adapters with full AF similarity.

The apt 4D FOCUS system also advances itself to a different of focusing functions for purified precision, including Lock-on AF, which continue to focus on moving subjects all over the use of a customizable frame that is set over the crave moving subject, and Expand Flexible Spot, which engages neighboring focus points to maintain focus on moving subjects even if the originally selected point loses focus. Additionally, Eye AF can be used to base focus on acknowledge subjects’ eyes for portraits and is available in both AF-S and AF-C modes. Autofocus can also be used in combination with the Focus Magnifier function for reproving focus when homing in on minute subject details.

In addition to autofocus, the a6500 also characterizing a Peaking MF function to comfort manual focus control by underline sharp edges of contrast for a more objective means of obtaining sharp focus.

UHD 4K Video Recording

Internal recording of UHD 4K movies is feasible in multiple frame rates up to 30 fps and, based on the Super35mm recording area and effective 20MP (6000 x 3376) resolution, 2.4x oversampling providing better detail and full pixel readout is viable, that is invalid of pixel binning, for better quality image with minimizing moiré and aliasing. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions employ the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also authorizes 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, loosen up HDMI output also allow the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.

4K video recording also avails the aptness to constructed 8MP stills during playback by taking a frame grab from a movie and storing it as a separate file.

Custom Color Profiles and S-Log3 Gamma

Support is available for the S-Gamut3.Cine/S-Log-3 and S-Gamut3/S-Log3 profiles that enable up to a 1300% wider dynamic range for smoother tonal and color gradations, along with enhanced sensitivity and clarity in shadows and mid-tones. These profiles also lend themselves to greater compatibility within a professional workflow and are well-paired to the Cineon Log gamma curve for versatile post-production grading and color control. The S-Log3 gamma setting also offers an impressive 14-stop wide dynamic range for greater control over the highlights and shadows, while the S-Gamut3. Cine profile can be used to mimic the qualities of scanned negative film with a wide gamut comparable to the DCI-P3 color space. Additionally, the popular S-Log2 setting is also available.

Slow & Quick Motion

Take more control over your video capture capabilities with a variety of new frame rates available in an S&Q mode. This will allow shooters to capture Full HD video at one of either step between 1-120 fps. These settings will allow you to slow down action as well as speed up a slow-moving scene. This setting is also NTSC/PAL switchable.

Zebra and Gamma Display Assist

An enhanced Zebra function is ideally suited to working with S-Log gamma profiles and aids in monitoring exposure values in high-contrast scenes. Video signal level targets can be set from 0 to 109, and specific ranges can be set to make exposure level adjustments easier.

In contrast, a Gamma Display Assist function is also available that displays scenes with natural contrast when recording with S-Log settings. This function converts imagery to the ITU709 profile for easier on-camera monitoring.

Time Code and User Bit Settings

A time code can be used to record hours, minutes, seconds, frames on image data for more precise editing while the User Bit function can record date, time, and scene number to aid in editing together footage from multiple cameras.

Body Design and Built-In Wi-Fi

• A strong magnesium alloy body provides a durable profile, and also includes dust and moisture resistance to save against difficult environments. This durability is carried over to the shutter’s design, too, which is rated to resist more than 200,000 cycles.
• The XGA Tru-Finder 2.36m-dot OLED electronic viewfinder provides a bright, high-resolution means for altitude monitoring, and also supports a dedicated 120 fps mode for smoother viewing when tracking moving subjects.
• A 3.0″ 921.6k-dot LCD touchscreen can be lean 90° upward or 45° downward to perfectly make for working from high and low angles. The screen also absorbs White Magic technology with an RGBW pixel structure for increased brightness to support use in daylight conditions.
• The touchscreen design avails access to Touch Focus control, for immediate focus point selection, as well as a Touchpad function that lets you smoothly and intuitively select a focus point on the screen while you’re looking into the viewfinder.
• Nine customizable buttons can be set to control more than 64 functions for more intuitive handling.
• The included NP-FW50 rechargeable lithium-ion is rated for 350 shots per charge when working with the viewfinder, or 400 shots per charge with the LCD screen.
• In addition to the battery, the a6500 can also be powered via a USB connection to a computer or mobile battery. This connection can also be used to charge the battery.
• A rigid metal lens mounts better supports working with larger, heavier lens designs.
• An ergonomic grip structure is ideal for long shooting sessions and facilitates easy access to the main control buttons and dials.
• In-Built Wi-Fi enables the a6500 to immediately share imagery to mobile devices for direct sharing online to social networking, through email, and to cloud storage sites. NFC is also supported, which permits for a one-touch connection between the camera and is used with mobile devices; no complex setup is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera’s shutter.
• Bluetooth connectivity permits location data acquisition.
• PlayMemories Camera Apps are also braced through the in-built Wi-Fi connection and permitting you to personalize the camera’s features depending on specific shooting styles. Apps are obtainable to perfectly make creating portraits, detailed close-ups, sports, time-lapse, motion shot, and other specific types of image.

E PZ 16-50mm f/3.5-5.6 OSS Lens

The featured E PZ 16-50mm f/3.5-5.6 OSS lens produces a 24-75mm equivalent focal length range, covering wide-angle to portrait-length perspectives to perfect working in a wide variety of situations. It characterizes Optical SteadyShot image stabilization to help to reduce the camera shake by up to four shutter speed steps to many benefits working in low-light conditions and with better zoom magnifications. One extra-low dispersion element and four aspherical elements are unified into the optical construction to help minimize chromatic aberrations also maximize clarity, sharpness, and contrast and the Power Zoom electronically-driven zoom mechanism brings better efficiency to control the zoom position of the lens.

Other Camera Features

• Highlight and Average metering modes assist refrain blown-out highlights and produce stable auto-exposure, respectively.
• Exposure standard adjustment permits you to tween exposure parameters for each metering mode singly from -1 to +1 EV in 1/6-stop increments.
• A Silent Shooting mode makes use of an electronic shutter function for a totally soundless performance that is perfect for photographing in noise-sensitive areas. While using this mode, up to 3 fps continuous shooting is available with autofocus and auto-exposure.
• Multi Frame NR records following images at a minimized ISO sensitivity and then blended them into a single image to achieve better effective sensitivity with reduced image noise.
• Dynamic Range Optimizer works to upgrade images characterizing backlit subjects or scenes with high contrast where details can be lost in the shadows or highlights. This mode can be operated automatically or fine-tuned using five settings.
• Auto HDR automatically records three sequential frames of an image and composites them into a single frame to achieve better shadow and highlight detail with an expanded range of mid-tones.
• A modern 1200-zone evaluative exposure metering sensor produces continuous and precise results using multi-segment, center-weighted, or spot metering modes.
• While working with ISO Auto settings, you can construct a reduced shutter speed setting to better secure sharp imagery.
• Clear Image Zoom can be used to boost the center of scenes by 2x to effectively expand the reach of any focal length lens. This digital zoom technology uses an intelligent interpolation process to reduce the amount of image degradation in order to provide sensible, high-quality images.
• In-built Picture Effect: Posterization (Color, B/W), Pop Color, Retro Photo, Partial Color (R, G, B, Y), High Contrast Monochrome, Toy Camera, Soft High-key, Soft Focus, HDR Painting, Rich-tone Monochrome, Miniature, Watercolor, and Illustration.
• Featured Creative Style: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, and Sepia; contrast, saturation, and sharpness can be adjusted across +/- 3 steps.

In the Box

• Included Sony Alpha a6500 Mirrorless Digital Camera with 16-50mm Lens
• Included Sony E PZ 16-50mm f/3.5-5.6 OSS Lens
• Involved Sony NP-FW50 Lithium-Ion Rechargeable Battery (1020mAh)
• A Shoulder Strap
• A Body Cap
• An Accessory Shoe Cap
• An Eyepiece Cup
• A Micro-USB Cable
• An AC-UUD12 AC Adapter
• A Limited 1-Year Warranty

Not in the Box

• Additionally available Essential Memory Cards

User Manual

The post Sony Alpha a6500 Digital Camera Body first appeared on GP.

In addition to imaging updates, the a7R III also supports an altered body design, which is featured with a 3.69m-dot Tru-Finder OLED electronic viewfinder for bright, clear, and realistic eye-level monitoring. A back 3.0″ 1.44m-dot tilting touchscreen LCD is also featured for innate settings control and to perfectly support working from high and low angles. For better shooting flexibility, two SD memory card slots are now in-built, and a larger NP-FZ100 battery is also included to achieve up to approximately 530 shots per charge while using the viewfinder. Perfectly made camera’s use in difficult conditions, the magnesium alloy chassis and vast weather-resistant also provide the a7R III dust- and moisture-proof.

42.4 MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor

Made with a back-illuminated design, the full-frame 42.4-megapixel Exmor R CMOS sensor works together with the BIONZ X image processor to produce high-resolution stills and video with reduced noise and upgraded speed. This sensor structure feature with gapless on-chip lens design and an anti-reflection coating, as well as abolishing the optical low-pass filter, to upgrade light collection and enhance detail. Also, the copper wiring layer dramatically increases data transmission speed for creating 14-bit, high-resolution 42.4-megapixel stills with a native sensitivity range from ISO 100-32000, which can be afterward enlarged to ISO 50-102400. Also, it allows internal UHD 4K video recording with a wide dynamic range using the full width of the full-frame sensor. The BIONZ X processor also works together with a high-speed front-end LSI to achieve faster processing times together with the capability to catch a magnificent 15-stop dynamic range at low sensitivity values.

The sensor and processor union also avails quick constant shooting at up to 10 fps at full resolution, for up to 76 consecutive frames, and with full-time AF/AE while working with either a mechanical shutter or an electronic shutter. If shooting in live view mode, a constant shooting rate of up to 8 fps is also possible.

Fast Hybrid AF System

An advanced 4D FOCUS system now applies a union of 399 phase-detection points, which protect approximately 68% of the frame, together with 425 contrast-detection areas for valid and fast autofocus and subject tracking performance. This Fast Hybrid AF System now procures two the focusing speed and more authentic tracking collate to last a7R models, as well as refine low-light focusing comeback down to -3 EV. The use of phase-detection points also qualifies the use of A-mount lenses through the optional LA-EA3 or LA-EA1 lens mount adapters with full constant AF/AE tracking affinity.

The apt focus system also loans itself to a change of focusing functions for pure precise, including Lock-on AF, which carry focus on moving subjects all-over the use of a customizable frame that is set over the crave moving subject, and Expand Flexible Spot, which working neighboring focus points to maintain focus on moving subjects even if the originally selected point loses focus. Additionally, Eye AF can be used to base focus on acknowledged subjects’ eyes for portraits and is available in both AF-S and AF-C modes. Autofocus can also be used in coexistence with the Focus Magnifier function for reproving focus when homing in on minute subject details. The rear touchscreen can also be used for Touch Focus control, and a Touchpad Focus Control mode allows you to use the rear screen intuitively while keeping your eye on the viewfinder.

For more customized control over focus, and exploit working in either vertical or horizontal shooting orientation, the AF area can be converted in orientation to perfectly suit your subject matter. AF tracking sensitivity can also be custom-made in five steps to match how a subject is moving and regularly used focus point settings can be retained and recalled with a custom button for quicker switching between focus settings.

5-Axis SteadyShot INSIDE Image Stabilization

Stuffed into the tough a7R III is a 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system that recompenses for five various types of camera shake encountered while handheld shooting of stills and video. This permits users to self-assured use any lens, even modify lenses, for critical imaging without experience blur from camera shake.

For long focal lengths, the system will accurate for pitch and yaw adjustments. Macro and high-exaggeration imagery, on the other hand, will welfare from the insertion of horizontal and vertical shift recompense. All shooting styles will get used out of the roll compensation. All 5 axes of balance will function at all times, even when used with third-party lenses and adapters or lenses with in-built optical stabilization.

UHD 4K Video Recording in XAVC S Format

Internal recording of UHD 4K movies is available in multiple frame rates up to 30 fps and, based on the Super35mm recording area and successful 5K resolution, overscan renders better detail and full pixel readout is feasible, that is null of pixel deposit, for better quality imagery with minimizing moiré and aliasing. Full-frame 4K recording has also been dramatically better for refine quality when working at mid to high sensitivities to permit full use of the entire sensor width. Full HD 1080p recording also holds up in frame rates up to 120 fps, and both resolutions use the 100 Mbps XAVC S format accommodate within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also qualifies 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, chill-out HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.

4K video recording also avails the facility to create 8MP stills while playback by taking a frame grab from a movie and storing it as a separate file.

Additional Video Features

Support for HDR Content:

• Affording extensive customizable color and gamma controls, the a7R III allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal than traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.

Slow & Quick Motion:

• Take more control over your video capture capabilities with a variety of new frame rates available in an S&Q mode. This will allow shooters to capture Full HD video at one of either step between 1-120 fps. These settings will allow you to slow down action as well as speed up a slow-moving scene. This setting is also NTSC/PAL switchable.

Enhanced Zebra Function:

• An enhanced Zebra function is ideally suited to aid in monitoring exposure values in high-contrast scenes. Video signal level targets can be set from 0 to 109, and specific ranges can be set to make exposure level adjustments easier.

Time Code and User Bit Settings:

• A time code can be used to record hours, minutes, seconds, frames on image data for more precise editing while the User Bit function can record date, time, and scene number to aid in editing together footage from multiple cameras.

Proxy Recording:

• UHD 4K movies and lower-resolution proxy movies can be simultaneously recorded. The smaller proxy files are ideal for quick previewing or pre-editing that can reduce the time required for final 4K editing.

Body Design and Built-In Wi-Fi/Bluetooth

• A renovate Quad-VGA OLED Tru-Finder EVF is featured and has a 3.69m-dot resolution for bright, clear viewing in high detail. Both Standard and High-quality settings can be used, turn on the shooting situation, in order to develop the viewing experience. This updated viewfinder plan also affords the use of autofocus in the Focus Magnifier mode as well as better focusing peaking to benefit manual focus operation.
• In addition to the EVF, a 3.0″ 1.44m-dot rear LCD is also featured, which has a touch panel designed for natural operation and focusing control. The screen also moves upward 107° and downward 41° to benefit from working from high and low angles.
• Magnesium alloy frames promise rigor, resilience, and stability while abiding lightweight. The lens mount has also been upgraded to finer support heavy lenses and the grip hardness has been upgraded for more pleasant hand-holding.
• A sound blind unit absorbs a coreless motor and brake system that minimizes shaking to finer control shutter shock as well as expand its rated lifespan to approximately 500,000 activate.
• Weather-resistant has been working to repel dust and moisture for genuine operation in difficult weather conditions.
• Using the same NP-FZ100 battery as the a9, the a7R III has refined battery life and is now rated for roughly 530 shots per charge with the EVF or 650 shots with the rear LCD.
• Two SD memory card slots permit tensile file saving and handling and can be constructed to partition raw and JPEG files or can be used for overflow recording. One of the card slots is rated to keep up  UHS-II memory cards.
• Unified PC sync terminal for wired flash sync with strobe packs or wireless radio remotes.
• A USB 3.1 Gen 1 Type-C port has been added, in addition to a micro-USB port, for quicker, more genuine hitch support. The USB Type-C connection permits the camera to be charged from the host power source during connection.
• The a7R III characterized a 3.5mm microphone input jack to be used with external microphones. And for users needing more, the camera can also be used with the Sony XLR-K2M XLR Adapter for recording professional balanced XLR audio signals with phantom power and adjustable mic/line inputs. For monitoring audio, a 3.5mm headphone jack is included as well as real-time audio levels for visual reference.
• In-Built Wi-Fi helps the a7R III to quickly share the image to mobile devices for direct sharing online to social networking, through email, and to cloud storage sites. NFC also keeps up, which permits for a one-touch connection between the cameras and can be used with mobile devices; no complex setup is needed. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera’s shutter.
• Bluetooth connectivity permits location data acquisition.

Pixel Shift Multi Shooting

This unique compositing mode permits you to provide even better resolution than the 42.4MP sensor affords. Working jointly with the sensor-shift image stabilization, this mode shifts the sensor while making four consecutive exposures in order to achieve approximately 169.6MP of information for better color accuracy and detail with a single exposure. These files can then be joined together during post-production by using the Sony Imaging software suite.

Other Camera Features

• A Rating function allows you to assign star values, from 1-5 to images in-camera for quick editing and sorting at home while post-production.
• An up-to-date 1200-zone evaluative exposure metering sensor produces compatible and precise results using multi-segment, center-weighted, or spot metering modes.
• Highlight and Average metering modes help circumvent blown-out highlights and provide stable auto-exposure, respectively.
• Anti-flicker shooting robotic recognizes and times the shutter action to reduce the flicker effect for more consistent results on still images.
• Featured Picture Effect modes: Posterization (Color), Posterization (B/W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera (Normal/Cool/Warm/Green/Magenta), and Soft High-Key.
• Included Creative Style modes: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps).

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