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For viewing live monitoring, image playback, and menu navigation, both a large rear monitor and detailed electronic viewfinder are featured. The 3.0″ 921k-dot XtraFine LCD screen is designed with a lean design to ease simple use from both high and low angles and also includes WhiteMagic technology for effortless viewing in bright conditions. The 0.39″ 1,440k-dot Tru-Finder OLED EVF offers 100% frame coverage and a purified optical design to produce a natural viewing perspective and magnification. The body design of the a6000 also adobe a configurable user interface, built around various customizable buttons and two control dials, for orderly and natural access to regularly used camera settings. Additionally, a Multi-Interface shoe is accessible for linking external flashes, continuous lights, or microphones.

In-Built Wi-Fi connectivity, with support for NFC-enabled devices, is also unified into the a6000 to brace remote camera control and image sharing to linked mobile devices. In addition to these features, with firmware version, 2.0 users will have fit to the XAVC S format for Full HD 1080p video at 24, 30, and 60 fps. This format will dramatically upgrade video quality by permitting the camera to catch images at a high bit rate of 50 Mbps, which holds more information than AVCHD for fewer artifacts. Along with this, users will be vital to use Class 10 or faster SDXC memory cards with a capacity of 64GB.

24.3MP Exmor APS HD CMOS Sensor and BIONZ X Image Processor

The 24.3MP APS-C-sized Exmor APS HD CMOS sensor and BIONZ X image processor work jointly to create high resolution, well-detailed imagery with reduced noise and remarkable low-light quality and sensitivity to ISO 25600. The sensor employs a cyclical on-chip lens design, which fills the gaps between connecting pixels with optimized lenses that match the angle of incidence to maximize light gathering ability and obtain edge-to-edge sharpness and quality. The processor also helps to provide a wealth of speed all-around the camera system, plus Fast Hybrid AF, a top consistent shooting rate of 11 fps, and Full HD 1080i/p video recording in multiple frame rates.

Fast Hybrid AF System

The Fast Hybrid AF system employs both a 179-point phase-detection system and a 25-point contrast-detection system to produce accurate focus in as little as 0.06 sec. Employing a Spatial Object Detection algorithm, this fast focusing system first utilizes the phase-detection AF points to rapidly bring the subject into focus and then uses the contrast-detection AF points, with wide AF coverage, to fine-tune the sharpness to guarantee precision. Beyond supporting single shot modes, this system also produces AF tracking while shooting up to 11 fps in constant high mode and functions seamlessly while recording Full HD movies.

For further clarification, a series of marked AF modes can be selected depending on the subject. Eye AF is a detail-oriented focusing function that can arrange a subject’s pupil and devoted focusing performance on that for sharply-rendered portraits; Lock-on AF is a devoted focusing method for use with moving subjects and adjusts the target frame size as the subject moves all over the image frame; AF area settings permit you to array specific regions within the frame for maximized accuracy; and AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), and Manual Focus modes can also opt.

Full HD Video Recording

Full HD 1080p video recording is carrying at 60, 30, and 24 fps in the high-quality 50 Mbps XAVC S codec. Other recording options involve the skill to employ the AVCHD and MP4 codecs, with support for recording up to 1080p60 video at 28 Mbps. Dual video recording is supported, as well, with the skill to select either XAVC S or AVCHD codecs plus a duplicate MP4 file to be recorded at the same time for better efficiency while sharing videos online. Additionally, using the merged HDMI type D output, both 1080i60 and 1080p60 uncompressed 8-bit 4:2:2 video can be recorded to an optional external recorder.

Applauding the video capabilities of the a6000, an in-built stereo microphone is absorbed into the design and records audio in the Linear PCM 2-channel format for XAVC S movies, the AC-3 Dolby Digital format for AVCHD movies, and the MPEG-4 AAC-LC layout for web-quality MP4 videos.

Manual focus peaking and a zebra function are also obtainable, to interest working in physical focus and to promise highlight detail is maintained, separately. A marker setting can be shown on the rear LCD as well, in order to display a center marker, guide frame, aspect marker, safety zone, and other relevant features for video recording.

Body Design

Turn round around a compress and lightweight profile, the a6000 includes both an electronic viewfinder and a large rear LCD monitor. The Tru-Finder 0.39″ 1,440k-dot OLED EVF characterized a clarified optical system that includes four double-sided aspherical elements to supply 100% frame coverage and a wide 33° viewing angle for clear brink viewing. The electronic viewfinder’s design provides a true live view image, which is able to imitate the aspect of the settle image prior to shooting and also provides focusing aids, such as MF Assist and the Peaking functions. The 3.0″ 921k-dot rear Xtra Fine monitor is a big alternative, worthy for making precise compositions, assess imagery, and navigating the menu system. It quality a lean outline that can tilt upward approximately 90° or downward 45° to advantage working from high and low angles. Additionally, WhiteMagic technology works to maximize the overall brightness of the screen to finer support use in bright or sunlit conditions.

Applauding the overall handling of the a6000 is a custom-made user interface that comprises an Fn function button and seven other buttons that can be adjusted turn on upon user preferences and assigned to one of 47, unlike functions. Moreover, two top dials extent an intuitive means for selecting crucial camera settings in a deft manner. A built-in pop-up flash, promoting a guide number of 19.7′ at ISO 100, is obtainable for working in harsh lighting conditions, and a Multi Interface Shoe is also featured for attaching additional on-camera accessories, such as flashes, video lights, and microphones.

Built-In Wi-Fi Connectivity

In-Built Wi-Fi connectivity allows the a6000 to quickly share the image to mobile devices for direct sharing online to social networking, through email, and to cloud storage sites. Near Field Communication is also keep up, which permits for a one-touch connection between the camera and amicable mobile devices; no complex setup is needed. Once connected, the linked mobile device can also exhibit a live view image on its screen and remotely control the camera’s shutter.

Additionally, PlayMemories Camera Apps are also kept up through the built-in Wi-Fi connection and permit you to customize the camera’s features hang on specific shooting styles. Apps are obtainable to suit creating portraits, detailed close-ups, sports, time-lapse, motion shots, and other specific types of imagery.

Other Camera Features

• The Sony E-mount affords compatibility with an extensive number of lenses and lens adapters.
• An advanced 1200-zone evaluative exposure metering sensor delivers consistent and accurate results using multi-segment, center-weighted, or spot metering modes.
• Auto Object Framing is an intelligent shooting mode that can automatically analyze the scene and subjects within it and determine an aesthetically pleasing composition. The subsequent imagery will be cropped according to the subject matter, resulting in a well-balanced composition that utilizes Face Detection and Tracking Focus to ensure high image quality and sharpness.
• Clear Image Zoom can be used to magnify the center of scenes by 2x to effectively extend the reach of any focal length lens. This digital zoom technology uses an intelligent interpolation process to minimize the amount of image degradation in order to produce realistic, high-quality images.
• Picture Effect modes allow you to apply creative settings and emphasize certain facets of individual images for a richer, more aesthetic picture quality. Posterization (Color/B&W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera, Soft High-Key, Soft Focus, HDR Painting, Rich-Tone Monochrome, Miniature, Watercolor, and Illustration modes are available.
• The Photo Creativity feature provides quick access to Picture Effects as well as dedicated controls for adjusting Background Defocus, Brightness, Color, and Vividness. Additionally, these effects can be combined for nearly limitless adjustment options.
• Superior Auto mode is an intelligent automated setting that can quickly identify the current shooting environment and adjust crucial camera settings to deliver optimized results. This mode also utilizes Auto HDR and Hand-held Twilight modes, which employ image compositing techniques to better handle difficult lighting conditions.
• Anti-Motion Blur automatically corrects for subject movement in order to deliver clean, sharp imagery in low-light conditions. This is accomplished by recording six sequential frames and compositing portions of each image to ensure overall sharpness.
• Hand-held Twilight Mode automatically composites details from six sequentially recorded images in order to attain higher overall image sharpness when working in low-light conditions.
• Multi Frame NR records consecutive images at a reduced ISO sensitivity and then composites them into a single image to realize higher effective sensitivity with minimal image noise.
• Dynamic Range Optimizer (DRO) works to improve images featuring backlit subjects or scenes with high contrast where details can be lost in the shadows or highlights. This mode can be controlled automatically or fine-tuned using five settings.
• Auto HDR automatically records three sequential frames of an image and composites them into a single frame to realize greater shadow and highlight detail with an extended range of mid-tones.
• Creative Style settings provide control over how the camera processes images based on six different predetermined styles: Standard, Vivid, Portrait, Landscape, Sunset, and B&W. Within these settings, contrast, saturation, and sharpness can also be adjusted depending on personal preference.
• In-camera creation of 4K slide shows is possible for rich playback to ultra high definition televisions. An HDMI port is incorporated into the camera’s design, too, to enable direct connection to HDTVs.
• TRILUMINOS Color support is afforded by the a6000 to produce rich, natural colors when imagery is viewed on a TRILUMINOS Display.
• Convenient USB charging allows you to charge the included lithium-ion battery in-camera via USB connection from either an AC outlet or PC source.

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Accompanying the imaging assets, the a6500 also supports a strong magnesium alloy body that is dust- and moisture-proof to allowing working in difficult environments. The small size profile includes a high-resolution XGA Tru-Finder 2.36m-dot OLED electronic viewfinder for vivid, clear, eye-level viewing, and this EVF features a 120 fps viewing mode for smooth tracking of fast-moving subjects. A rear 3.0″ 921.6k-dot touchscreen LCD monitor is also accessible and has a lean design to comfort shooting from high and low working angles, and the touchscreen design permits intuitive touch-to-focus control. Additionally, for wireless remote control over the camera, or for just sharing an image online, built-in Wi-Fi with NFC allows linking with a mobile device for intuitive wireless control.

24.2MP Exmor CMOS Sensor and BIONZ X Processor

The APS-C-format 24.2MP Exmor CMOS sensor coupled with the BIONZ X image processor to achieve smooth, nuanced image quality with reduced noise and high sensitivity from ISO 100-25600, which can further be enlarged to ISO 51200 for working in low-light conditions. The sensor characterizes a distinctive design that uses thin copper wiring, enhanced circuit processing, and an enhanced front-end LSI to raise light-gathering abilities, decrease noise, and maximize readout speeds to benefit video recording. The sensor and processor union also avails a top constant shooting rate of 11 fps for up to 301 standard JPEG frames or 107 raw frames in a single burst with AF and AE and allowing 14-bit raw file output for a wider tonal and color scale.

5-Axis SteadyShot INSIDE Image Stabilization

Loaded into the willowy a6500 is a 5-stop productive 5-axis SteadyShot INSIDE image stabilization system that repays for five different types of camera shake encountered while handheld shooting of stills and video. This permits users to securely use any lens, even adapted lenses, for critical imaging without run into a blur from the camera shake.

For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will interest from the insertion of horizontal and vertical shift compensation. All shooting styles will get employ out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.

4D FOCUS

Awning the entire sensor area, a strong 4D FOCUS system combine 425 on-chip phase-detection points together with 169 contrast-detection areas for accurate focusing in as little as 0.05 seconds. The density of focusing points from this hybrid AF system also permits High-density Tracking AF Technology, which is an expert at tracking moving subjects in numerous lighting conditions. The use of phase-detection points also permits the use of A-mount lenses via the optional LA-EA3 or LA-EA1 lens mount adapters with full AF compatibility.

The apt 4D FOCUS system also promotes itself to numerous focusing functions for clear accuracy, including Lock-on AF, which preserve focus on moving subjects all-round the use of a configurable frame that is set over the desired moving subject, and Expand Flexible Spot, which engages neighboring focus points to gain focus on moving subjects even if the originally selected point loses focus. As well, Eye AF can be used to base focus on grant subjects’ eyes for portraits and is accessible in both AF-S and AF-C modes. Autofocus can also be used in coincidence with the Focus Magnifier function for reproving focus when homing in on minute subject details.

In addition to autofocus, the a6500 also characterizing a Peaking MF function to interest manual focus control by spotlight sharp edges of different for a more objective means of achieving sharp focus.

UHD 4K Video Recording

Internal recording of UHD 4K movies is achievable in multiple frame rates up to 30 fps and, built with the Super35mm recording area and effective 20MP (6000 x 3376) resolution, 2.4x oversampling provide better detail and full pixel readout is achievable, that is null of pixel binning, for better quality imager with minimized moiré and aliasing. Full HD 1080p recording also assists in frame rates up to 120 fps, and both resolutions use the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also authorizes 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. Besides high-resolution internal recording, loosen up HDMI output also allow the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.

4K video recording also avails the facility to manufacture 8MP stills during playback by taking a frame grab from a movie and storing it as a separate file.

Custom Color Profiles and S-Log3 Gamma

Support is available for the S-Gamut3.Cine/S-Log-3 and S-Gamut3/S-Log3 profiles that enable up to a 1300% wider dynamic range for smoother tonal and color gradations, along with enhanced sensitivity and clarity in shadows and mid-tones. These profiles also lend themselves to greater compatibility within a professional workflow and are well-paired to the Cineon Log gamma curve for versatile post-production grading and color control. The S-Log3 gamma setting also offers an impressive 14-stop wide dynamic range for greater control over the highlights and shadows, while the S-Gamut3. Cine profile can be used to mimic the qualities of scanned negative film with a wide gamut comparable to the DCI-P3 color space. Additionally, the popular S-Log2 setting is also available.

Slow & Quick Motion

Take more control over your video capture capabilities with a variety of new frame rates available in an S&Q mode. This will allow shooters to capture Full HD video at one of either step between 1-120 fps. These settings will allow you to slow down action as well as speed up a slow-moving scene. This setting is also NTSC/PAL switchable.

Zebra and Gamma Display Assist

An enhanced Zebra function is ideally suited to working with S-Log gamma profiles and aids in monitoring exposure values in high-contrast scenes. Video signal level targets can be set from 0 to 109, and specific ranges can be set to make exposure level adjustments easier.

In contrast, a Gamma Display Assist function is also available that displays scenes with natural contrast when recording with S-Log settings. This function converts imagery to the ITU709 profile for easier on-camera monitoring.

Time Code and User Bit Settings

A time code is used to record hours, minutes, seconds, and frames on image data for more accurate editing while the User Bit function can record date, time, and scene number to aid in editing joint footage from multiple cameras.

Body Design and Built-In Wi-Fi

• A strong magnesium alloy body provides a durable profile, and also includes dust and moisture resistance to save it against difficult environments. This strength is carried over to the shutter’s design, too, which is rated to resist more than 200,000 cycles.
• The XGA Tru-Finder 2.36m-dot OLED electronic viewfinder provides a bright, high-resolution means for eye-level monitoring, and also supports a committed 120 fps mode for polished viewing while tracking moving subjects.
• A 3.0″ 921.6k-dot LCD touchscreen can be tilted 90° upward or 45° downward perfect for working from high and low angles. The screen also integrates White Magic technology with an RGBW pixel structure for improved brightness to bear use in daylight conditions.
• The touchscreen design avails entrance to Touch Focus control, for instant focus point selection, as well as a Touchpad function that allows you smoothly and intuitively select a focus point on the screen when you’re looking into the viewfinder.
• Nine customizable buttons are featured to control more than 64 functions for more natural handling.
• The featured NP-FW50 rechargeable lithium-ion is rated for 350 shots per charge while working with the viewfinder, or 400 shots per charge with the LCD screen.
• Along with the battery, the a6500 can also be charged through a USB connection to a computer or mobile battery. This connection can also be used to charge the battery.
• A strong metal lens mounts better assist in working with larger, heavier lens designs.
• A fitting grip structure is perfect for long shooting sessions and smooth easy access to the main control buttons and dials.
• In-Built Wi-Fi allows the a6500 to quickly share an image to mobile devices for direct sharing online to social networking, through email, and to cloud storage sites. NFC also keeps up, which permits for a one-touch connection between the cameras and can be used with mobile devices; no complex setup is needed. Once connected, the linked mobile device can also show a live view image on its screen and remotely control the camera’s shutter.
• Bluetooth connectivity permits for location data acquisition.
• PlayMemories Camera Apps are also kept up through the in-built Wi-Fi connection and permit you to customize the camera’s features depending on specific shooting styles. Apps are available perfect for creating portraits, detailed close-ups, sports, time-lapse, motion shots, and other specific types of imagery.

Other Camera Features

• Highlight and Average metering modes assist to avoid blown-out highlights and supply stable auto-exposure, individually.
• Exposure standard adjustment permits you to tween exposure parameters for each metering mode independently from -1 to +1 EV in 1/6-stop increments.
• A Silent Shooting mode makes use of an electronic shutter function for total quiet performance that is perfect for photographing in delicate areas. While using this mode, up to 3 fps continuous shooting is featured with autofocus and auto-exposure.
• Multi Frame NR records continuous images at a minimize ISO sensitivity and then alloys them into a single image to achieve increased effective sensitivity with reduced image noise.
• Dynamic Range Optimizer works to upgrade images promote backlit subjects or scenes with high contrast where details can be lost in the shadows or highlights. This mode can be guided automatically or fine-tuned using five settings.
• Auto HDR automatically records three sequential frames of an image and compounds them into a single frame to achieve better shadow and highlight detail with an increased range of mid-tones.
• An advanced 1200-zone evaluative exposure metering sensor conveys compatible and precise results while using multi-segment, center-weighted, or spot metering modes.
• While working with ISO Auto settings, you can construct a reduced shutter speed setting to finer ensure sharp imagery.
• Clear Image Zoom can be used to boost the center of scenes by 2x to successfully expand the reach of any focal length lens. This digital zoom technology uses an intelligent interpolation process to reduce the amount of image degradation fix up to produce realistic, high-quality images.
• In-built Picture Effect: Posterization (Color, B/W), Pop Color, Retro Photo, Partial Color (R, G, B, Y), High Contrast Monochrome, Toy Camera, Soft High-key, Soft Focus, HDR Painting, Rich-tone Monochrome, Miniature, Watercolor, and Illustration.
• Featured with Creative Style: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, and Sepia; contrast, saturation, and sharpness can be adjusted across +/- 3 steps.

The post Sony Alpha a6500 Mirrorless Digital Camera (Body Only) first appeared on GP.

Stabilizing the imaging credit, the a7R IV also sees modernize physical design with more strong weather resistance to perfect working in, especially difficult weather conditions. In terms of convenience, the OLED electronic viewfinder has been raised to a magnificent 5.76m-dot resolution for better viewing and the 3.0″ rear tilting touchscreen LCD has a great 1.44m-dot resolution for fragile playback, live view shooting, and menu navigation. Dual SD card slots are both UHS-II-evaluated for quick performance and the insertion of a USB Type-C port allows restrain and fast in-camera battery charging. Additionally, in-built Bluetooth and both 2.4 and 5 GHz Wi-Fi bands manage wireless transferring and remote camera control from linked mobile devices.

Dedicated Accessories from Sony

Applauding the camera body is a trilogy of accessories to maximum battery life and increased audio recording faculty while shooting video. The devoted battery grip, which receives up to two more NP-FZ100 batteries for expanded shooting times. Its livable design also intensifies handling while shooting in the vertical orientation.

For upgraded audio recording, and making use of the a7R IV’s modernize Multi Interface Shoe and digital audio interface, which produce a digital audio stream straight to the camera for lucid quality with little noise. For even more modern audio control, which is a dual-channel digital XLR audio adapter for linking external microphones to the camera when still profiting from the digital audio interface.

61MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor

Characterizing a back-illuminated design, the full-frame 61MP Exmor R CMOS sensor performs with the BIONZ X image processor to provide soberly high-resolution stills and video when reducing noise, refine speed, and attaining a wide 15-stop dynamic range. This sensor structure performs with a gapless on-chip lens design and an anti-reflection coating, as well as removing the optical low-pass filter, to upgrade light collection and intensified detail. Also, the copper wiring layer dramatically upgrades data transmission speed for producing 14-bit, high-resolution 61MP stills with a vernacular sensitivity range from ISO 100-32000, which can be dilated to ISO 50-102400. Also, it allows internal UHD 4K video recording with a wide 14-stop dynamic range using either the full width of the full-frame sensor or an APS-C-sized area. The BIONZ X processor also works jointly with a high-speed front-end LSI to achieve faster processing times together with the ability to catch this impressive 15-stop dynamic range with smooth tonal rendering.

The sensor and processor combination also avails quick constant shooting at up to 10 fps at full resolution, for up to 68 consecutive frames, with full-time AF/AE.

Fast Hybrid AF System

A renovated Fast Hybrid AF system now hires a union of 567 phase-detection points, which protect approximately 99.7% of the height and 74% of the width of the frame, together with 425 contrast-detection areas for authentic and fast autofocus and subject tracking performance. This focusing system also attains especially fast speed and valid tracking, as well as improved low-light focusing response down to -3 EV. The use of phase-detection points also qualifies the use of A-mount lenses through the optional LA-EA3 or LA-EA1 lens mount adapters with full constant AF/AE tracking compatibility.

The suitable focus system also advances itself to a different of focusing functions for better accuracy, together with Lock-on AF, which carry focus on moving subjects all-over the use of a customizable frame that is set over the wanted moving subject, and Expand Flexible Spot, which hires neighboring focus points to regain focus on moving subjects even if the originally selected point loses focus. Additionally, Eye AF can be used to base focus on acknowledged human subjects’ eyes for portraits and is obtainable in both AF-S and AF-C modes, for both stills and video. Eye AF can be used for photographing animal subjects, too, with any focusing mode when shooting stills. Autofocus can also be used jointly with the Focus Magnifier function for reproving focus when homing in on minute subject details. The rear touchscreen can also be used for Touch Focus control, and a Touchpad Focus Control mode allows you to use the rear screen intuitively when keeping your eye to the viewfinder.

Body Design and Built-In Wi-Fi/Bluetooth

• A renovated UXGA OLED Tru-Finder EVF is included and has a 5.76m-dot resolution for bright, clear viewing in rich detail, and a devoted High-quality setting allow a 120 fps refresh rate for especially smooth playback of moving subjects.
• Additionally featured with the EVF, a 3.0″ 1.44m-dot rear LCD is also obtainable, which has a touch panel design for intuitive operation and focusing control. The screen also tilts upward 107° and downward 41° to help in working from high and low angles.
• Magnesium alloy body convinces rigor, durability, and stability being remaining lightweight. The lens mount has also been upgraded to better support heavy lenses and the grip rigidity has been upgraded for more comfortable hand-holding.
• Sustainably weather-resistant, including increased sealing around the battery cover, terminal cover, and chassis joints, has been employed to reduce dust and moisture for authentic operation in difficult weather conditions.
• Using the same NP-FZ100 battery as its forerunner, the a7R IV’s battery life is rated for around 530 shots per charge with the EVF or 670 shots with the rear LCD.
• Dual SD memory card slots permit for pliant file saving and handling and can be constructed to partition raw and JPEG files or can be used for overflow recording. Both of the card slots are rated to assist UHS-II memory cards for quick transfer speeds.
• United PC sync terminal for wired flash connect with strobe packs or wireless radio remotes.
• A USB 3.2 Gen 1 Type-C port has been added, included to a micro-USB port, for quicker, more authentic tethering support. The USB Type-C connection permits the camera to be charged from the host power source when connected.
• Renovated Multi-Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which produces upgraded, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
• The a7R IV also features a 3.5mm microphone input jack that can be used with external microphones.
• In-Built Wi-Fi allows the a7R IV to quickly share the image to mobile devices for direct sharing online to social networking, through email, and to cloud storage sites. Support for both 2.4 and 5.0 GHz bands also supports wireless tethered shooting support. NFC is also supported, which permit for one-touch connection between the camera and can be used with mobile devices; no complex set-up is needed. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera’s shutter.
• Bluetooth connectivity permit location data acquisition.

5-Axis SteadyShot INSIDE Image Stabilization

Packed into the robust a7R IV is a 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system that compensates for five different types of camera shake encountered during handheld shooting of stills and video. This allows users to confidently use any lens, even adapted lenses, for critical imaging without encountering blur from camera shake.

For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.

Pixel Shift Multi Shooting

This unique compositing mode allows you to achieve even greater resolution than the 61MP sensor affords. Working in conjunction with the sensor-shift image stabilization, this mode shifts the sensor while making 16 consecutive exposures in order to acquire approximately 240.8MP of information for greater color accuracy and detail than possible with a single exposure, along with an impressive image size of 19,008 x 12,672-pixels. These files can then be merged together during post-production by using the Sony Imaging software suite.

UHD 4K Video Recording in XAVC S Format

Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and, based on the Super35mm recording area and effective 6K resolution, oversampling renders greater detail and full pixel readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full-frame 4K recording has also been dramatically improved for improved quality when working at mid to high sensitivities to permit full use of the entire sensor width. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mbps XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.

4K video recording also avails the ability to produce 8MP stills during playback by taking a frame grab from a movie and storing it as a separate file.

Additional Video Features

Support for HDR Content:

• Affording extensive customizable color and gamma controls, the a7R IV allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal than traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.

Slow & Quick Motion:

• Take more control over your video capture capabilities with different new frame rates obtainable in an S&Q mode. This will permit shooters to catch Full HD video at one of either step between 1-120 fps. These settings will permit you to slow down action as well as speed up a slow-moving scene. This setting is also NTSC/PAL improved Zebra Function fungible:

• An improved Zebra function is perfectly suited to support monitoring exposure values in high-contrast scenes. Video signal level targets can be set from 0 to 109, and specific ranges can be set to make exposure level adjustments simple.

Time Code and User Bit Settings:

• A time code can be used to record hours, minutes, seconds, and frames on image data for more accurate editing while the User Bit function can record date, time, and scene number to support editing together footage from multiple cameras.

Proxy Recording:

• UHD 4K movies and lower-resolution proxy movies can be independently recorded. The smaller proxy files are perfect for fast previewing or pre-editing that can minimize the time needed for final 4K editing.

Other Camera Features

• A Rating function lets you allot star values, from 1-5 to images in-camera for quicker editing and sorting at home while post-production.
• An advanced 1200-zone evaluative exposure metering sensor produces continuous and precise results using multi-segment, center-weighted, or spot metering modes.
• Highlight and Average metering modes assist in avoiding blown-out highlights and produce stable auto-exposure, respectively.
• Anti-flicker shooting automatically realizes and times the shutter action to reduce the flicker effect for more compatible results on still images.
• In-built Picture Effect modes: Posterization (Color), Posterization (B/W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera (Normal/Cool/Warm/Green/Magenta), and Soft High-Key.
• Featured Creative Style modes: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps).

The post Sony Alpha a7R IV Mirrorless Digital Camera (Body Only) first appeared on GP.

Far away just renovated to the imaging system, the a7 III’s body design has also been amended to feature a rear 3.0″ 922k-dot touchscreen LCD, which has a lean design to better carry working from high and low angles. A 2.36m-dot Tru-Finder OLED EVF is also characterized for brilliant and clear eye-level monitoring. For better shooting flexibility, binate SD memory card slots are now characterized, and a larger NP-FZ100 battery is also utilized to produce up to approximately 710 shots per charge. Perfect for the camera’s use in trying conditions, the magnesium-alloy chassis and weather-resistant also supply the a7 III dust- and moisture-resistant.

24.2MP Exmor R BSI CMOS Sensor and BIONZ X Image Processor

Made by a back-illuminated design, the full-frame 24.2-megapixel Exmor R CMOS sensor operates with the BIONZ X image processor to produce high-resolution stills and video while reducing noise and improving speed. This sensor structure operates with a nonstop on-chip lens design and an anti-reflection coating for better light collection and increased detail. Also, the copper wiring layer completely upgraded data transmission speed for producing 14-bit, high-resolution stills with a vernacular sensitivity range from ISO 100-51200, which can be farther dilated to ISO 50-204800. Also, it authorizes internal UHD 4K video recording with a wide dynamic range applying the full width of the full-frame sensor. The BIONZ X processor also works in co-occurrence with a high-speed front-end LSI to produce quick processing times along with the capability to catch an impressive 15-stop dynamic range at low sensitivity values.

The sensor and processor union also allow quick and constant shooting at up to 10 fps at full resolution, for up to 177 consecutive frames, and with full-time AF/AE while working with either a mechanical shutter or an electronic shutter. If you are shooting in live view mode, a constant shooting rate of up to 8 fps is also possible.

Fast Hybrid AF System

An upgraded 4D FOCUS system now utilizes a union of 693 phase-detection points, which surround approximately 93% of the frame, together with 425 contrast-detection areas for authentic and fast autofocus and subject tracking performance. This Fast Hybrid AF System now produces twice the focusing speed and more accurate tracking compared to the last 7 models, as well as upgraded low-light focusing. The use of phase-detection points also utilizes the use of A-mount lenses through the optional LA-EA3 or LA-EA1 lens mount adapters with full constant AF/AE tracking harmony.

The apt focus system also advances itself to a different of focusing functions for clear precision, comprising Lock-on AF, which preserve focus on active subjects all over the use of a selective frame that is set over the desired moving subject and Expand Flexible Spot, which utilizes neighboring focus points to regain focus on moving subjects even if the originally selected point loses its focus. Additionally, Eye AF can be utilized to base focus on recognized subjects’ eyes for portraits and is obtainable in both AF-S and AF-C modes. Autofocus can also be used in concurrence with the Focus Magnifier function for critical focus while highlighting minute subject details. The rear touchscreen can also be used for Touch Focus control and a Touchpad Focus Control mode which allows you to use the rear screen intuitively while keeping your eye to the viewfinder.

5-Axis SteadyShot INSIDE Image Stabilization

Load into the strong a7 III is a 5-cease effective 5-axis SteadyShot INSIDE image stabilization system that reimburses for five kinds of camera shake experienced during handheld shooting of stills and video. This allows users to securely use any lens, even adapted lenses, for critical imaging without experiencing blur from camera shake.

For long focal lengths, the system will accurate for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will be helpful from the insertion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will be working at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.

UHD 4K Video Recording in XAVC S Format

Internal recording of UHD 4K movies is possible in multiple frame rates up to 30 fps and using 2.4x oversampling renders greater detail and full pixel readout is possible, that is void of pixel binning, for higher quality imagery with reduced moiré and aliasing. Full-frame 4K recording has also been dramatically improved for improved quality when working at mid to high sensitivities to permit full use of the entire sensor width. Full HD 1080p recording is also supported in frame rates up to 120 fps, and both resolutions utilize the 100 Mb/s XAVC S format contained within an MP4 wrapper with 4:2:0 sampling. The high-speed, 120 fps recording also enables 4x and 5x slow-motion movie recording with the frame rate set to either 30p or 24p. In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.

Affording extensive customizable color and gamma controls, the a7 III allows users to adjust the gamma, black level, knee, color level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal than traditional REC709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 color space, for recording within a wide color gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.

Body Design and Built-In Wi-Fi/Bluetooth

• An XGA OLED Tru-Finder EVF is featured and has a 2.36m-dot resolution and 0.78x magnification for bright, clear viewing in high detail. This viewfinder design also affords the use of autofocus in the Focus Magnifier mode as well as improved focusing peaking to benefit manual focus operation.
• In addition to the EVF, a 3.0″ 922k-dot rear LCD is also obtainable, which has a touch panel design for in-built operation and focusing control. The screen also tilts upward 107° and downward 41° to help to work from high and low angles.
• Magnesium-alloy frame satisfies rigor, longevity, and balance while remaining lightweight. The lens mount has also been refined to better support heavy lenses and provides grip rigidity has been upgraded for more comfortable hand-holding.
• Weather-resistant has been employed to save from dust and moisture for good operation in difficult weather conditions.
• Using the featured NP-FZ100 battery, the a7 III has upgraded battery life and is now rated for approximately 710 shots per charge.
• Dual SD memory card slots are provided for flexible file saving and handling and can be arranged to partition raw and JPEG files or can be used for overflow recording. One of the card slots is made to support UHS-II memory cards.
• A USB 3.0 Type-C port has been featured, in addition to a micro-USB port, for quicker, more valid tethering support. The USB Type-C connection allows the camera to be charged from the host power source while connected.
• In-built Wi-Fi helps the a7 III to quickly share images with mobile devices for direct sharing online to social networking, through email, and to cloud storage sites. NFC is also braced, which permits for a one-touch connection between the camera and compatible mobile devices; no complex setup is needed. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera’s shutter.
• Bluetooth connectivity permits you to location data acquisition.

Other Camera Features

• A Rating function permits you to assign star values, from 1-5 to images in-camera for quick editing and sorting at home while post-production.
• An advanced 1200-zone evaluative exposure metering sensor produces continuous and precise results through multi-segment, center-weighted, or spot metering modes.
• Highlight and Average metering modes assist you to circumvent blown-out highlights and give stable auto-exposure.
• Anti-flicker shooting robotically acknowledges and times the shutter action to reduce the flicker effect for more accordant results on still images.
• Featured with Picture Effect modes: Posterization (Color), Posterization (B/W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera (Normal/Cool/Warm/Green/Magenta), and Soft High-Key.
• In-built Creative Style modes: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, Sepia, Style Box (1-6), (Contrast (-3 to +3 steps), Saturation (-3 to +3 steps), Sharpness (-3 to +3 steps).

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In sequence to produce complete images fast and successfully the 5D Mark IV grip the power of the DIGIC 6+ image processor, which can produce up to 7 frames per second while constant shooting. It also operates a 150,000-pixel RGB+IR metering sensor to calculate the scene and subjects for precise exposures under a change of various lighting conditions. An upgraded 61-point High-Density Reticular AF advances the camera’s speed by tracking and locking on subjects fast and precise for tack sharp photos. A new AF area select button is now convenient as well for near-instant access to this setting.

Video satisfaction from the addition of Dual Pixel CMOS AF and Movie Servo AF to fluidly rack focus while shooting. Shooters can even utilize the 3.2″ 1.62m-dot touchscreen LCD to simply tap to regulate the focus point. Moreover, now that the camera is featured DCI 4K (4096 x 2160) video recording at up to 30 fps, users can catch 8.8MP stills from the video for an even faster capture option. Tied into the Dual Pixel sensor architecture is a brand new feature for Canon: Dual Pixel RAW, which allows for fine-tuning of certain image parameters, including bokeh shift and focuses micro-adjustment after the image is taken.

The body has been further rectified for relief and proficient of access, as well as long-lasting and weather safe. The Canon N3 remote port has been relocated to the front of the camera body and they have added both GPS and Wi-Fi with NFC to make this model a connected camera.

30.4MP Full-Frame CMOS Sensor and DIGIC 6+ Image Processor

In a row with former members of the main 5D series, the Mark IV tries to retain high resolution with low-light performance with a freshly developed 30.4MP full-frame CMOS sensor. This produces a helpful increase in overall resolution without negotiating on sensitivity. Additionally, gratitude to the DIGIC 6+ image processor it is connected with, it offers magnificent performance within a native range of ISO 100-32000, which can be enlarged to ISO 50-102400.

Adaptability is key with the 5D, as it needs to be able to handle landscapes and weddings with mastery. By operating a 150,000-pixel RGB+IR metering sensor shooters will be able to more pleasantly depend on the camera to catch tough scenes. This sensor also has face detection as well as flicker detection which can ensure proper exposure in less-than-ideal lighting situations. Together with this, the camera provides an upgraded constant shooting rate of 7 fps, making it the best option for events and activities.

High-Density Reticular AF and Dual Pixel CMOS AF Systems

Ensuring your subject is tack sharp, the 5D Mark IV incorporates an enhanced High-Density Reticular AF system, which offers 61 phase-detect points, with all points sensitive to f/8 and 41 of which are cross-type. The center point can function down to -3 EV for working in extremely dim lighting. Compared to previous versions, this sensor has expanded vertical coverage of 24% on the peripherals and 8% in the center in order to better track and locate subjects in the frame.

In addition to advanced tracking and focusing while using the optical finder for stills, Live View and video can now use Dual Pixel CMOS AF on the actual imaging sensor. This offers about 80% coverage of phase-detection autofocus for faster and more accurate focusing in these modes. It is ideal for video as users will enjoy smoother rack focusing without the downsides normally encountered with contrast-based systems. Also, this works well with the touchscreen functions, allowing shooters to just tap to adjust focus.

DCI 4K Video Recording

Designed for both professional stills shooting and video recording, the 5D Mark IV supports DCI 4K (4096 x 2160) resolution recording at up to 30 fps at 500 Mbps, along with Full HD 1080p shooting at 60 fps and HD 720p at 120 fps for slow-motion playback. When recording in-camera, 4K video has 4:2:2 sampling and 8-bit color depth, while Full HD 1080p footage has 4:2:0 sampling. Uncompressed Full HD 1080p video can also be saved via HDMI to an optional external recorder with 4:2:2 color sampling. 4K video is recorded using a central 4096 x 2160 area of the sensor at a 1.74x crop in order to record video with an ideal 1:1 pixel sampling ratio, while Full HD recording makes use of the entire full frame.

Audio can be recorded using the onboard stereo microphone or an optional external mic can also be used via the 3.5mm mic jack. Real-time audio monitoring is possible, too, via the 3.5mm headphone jack. The 4K video recording also avails the ability to take 8.8MP still frame grabs during playback on the rear touchscreen and save them as single images.

Dual Pixel RAW

First implemented here on the 5D Mark IV, Dual Pixel RAW allows photographers to record all the information the sensor’s unique pixel architecture can deliver, providing a way for fine adjustments to be made after the image is taken. These adjustments include focus fine-tuning that can help you ever-so-slightly adjust the focus point to bring out extra details, shift bokeh around for improved composition, and reduce the impact of ghosting on your photos. This requires the use of Canon’s Digital Photo Professional 4.5 software.

Body Design

• A large 3.2″ 1.62m-dot Clear View II LCD monitor is handy and characterized an anti-reflective design for glaring, vivid image playback and live view shooting mode, and its touchscreen interface can be pre-owned for natural touch-to-focus control and modifying settings in the menus.
• An inbuilt AF mode selection button situated beneath the rear joystick gives another avenue for accessing settings, permitting for quick, innate ingress to commonly changed options.
• Two Compact Flash and SD memory card slots permit you to elongate your file saving capabilities by allowing overflow recording or in-camera file type separation when shooting.
• An Intelligent Viewfinder II utilizes a pentaprism design and provides a bright means for watching. While using the viewfinder, AF points show up in red for better visibility in low-light conditions, and the finder can also be composed to display a range of other shooting aids, like as an electronic level, grid, flicker detection, white balance, metering mode, AF information, and other settings.
• A Mirror Vibration Control System helps to reduce mechanical vibrations in order to achieve good sharpness while long exposures or fast continuous shooting bursts.
• A robust magnesium alloy body design is resistant to both dust- and various weather to allow working in harsh environments.

Other Camera Features

• An in-built GPS module permits you to geotag imagery in-camera as well as auto time sync with the Universal Time Code through satellites. This module can be used with American GPS, Russian GLONASS, and Japanese quasi-zenith Michibiki satellites for covering a wide range of support.
• Digital Lens Optimizer technology recompense for a range of optical defects from different lenses, together with chromatic aberration, distortion, peripheral brightness, and diffraction, and the camera can reserve lens data in order to steer clear having to re-apply lenses earlier to each use. The camera can control this process in real-time, delivering JPEGs with the corrections already applied.
• An in-built intervalometer allows the construction of time-lapse imagery and braces recording 1-99 consecutive frames in pre-selected intervals from 1 second to 99 hours 59 minutes and 59 seconds. Users can also select to set the camera to unlimited frames.
• Built-in Wi-Fi and NFC connectivity allow wireless sharing, control, and image transfer to be used with the smart devices as well as the CS100 Connect Station.

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Concluding its feature-set, the D7200 is also featured by an apt 51-point AF system, with 15 cross-type points, for fast and precise focusing in different conditions. The 3D Color Matrix Metering II system, which includes a 2,016-pixel RGB sensor, also helps the focusing capabilities in addition to producing accurate exposure metering capabilities. Further registering a complete imaging solution, a series of Picture Control profiles can be registered to purify the color and tonal handling of imagery.

24.2MP DX-Format CMOS Sensor and EXPEED 4 Image Processor

The 24.2MP DX-format CMOS sensor allows recording at high-resolution steady imagery and full HD 1080p video with maximum clarity, quiet, and effortless color gradations. The sensor’s design also excludes the traditional optical low-pass filter in order to produce maximum image sharpness and resolution. Additionally, the sensor combines with the upgraded EXPEED 4 image processor to produce native sensitivity to ISO 25600, as well as to enlarge Hi BW1 ISO 51200 and Hi BW2 ISO 102400 sensitivities for monochromatic shooting perfectly made for dimmer lighting conditions.

The sensor and processor merge to enables a top consistent shooting rate of 6 fps at full resolution, or 7 fps shooting at a 1.3x crop of the DX sensor area. Upgraded buffer capacity permits you to record up to 100 sequential JPEGs (Fine/Large), 27 12-bit NEF files, or 18 14-bit NEF files.

Full HD Video Recording

The EXPEED 4 processing power increased beyond steady imaging performance to help full HD 1080p video recording in dual frame rates up to 60 fps, with the ability to record 60/50p using just a 1.3x crop of the DX-format for added reach while conserving the full 1920 x 1080 resolution. During recording, fully manual control is achievable shutter speed and ISO settings, together with the ability to use Auto ISO adjustment in manual mode with a top sensitivity of ISO 25600. Zebra stripe foreground can be claimed to aid in controlling overexposure while recording, too, along with in-built Picture Control profiles, custom tone curves, and a flat profile to help color grading applications. Recording to an elective external recorder is possible in order to obtain loosen up 4:2:2 8-bit output via HDMI port and, while recording externally, use of the camera’s LCD monitor for simultaneous live view monitoring is achievable.

In assess to audio recording, an in-built camera stereo microphone can be used or, alternatively, an input is featured for using an optional external stereo microphone. Sound levels can be altered across 20 levels prior to and while recording, together with the capability to observe audio via the headphone output. Additionally, the D7200 can be used with the voluntary ME-W1 Wireless Microphone for recording the clear mono sound of your subject up to 164′ away.

Advanced Multi-CAM 3500 II DX AF Sensor

Subsidizing the imaging capabilities of the D7200 is an apt autofocus system that includes up to 51 distinct points, with various features available to use 9, 21, or all 51 points depending according to on the situation, with AF detection sensitivity down to -3 EV. 15 cross-type points are also added within this line up to produce better precise to centrally-located subjects. Benefitting the use of telephoto lenses and teleconverters, the center-most point is also located down to an aperture value of f/8. 3D Tracking, a part of the intelligent Scene Recognition System, also works to control focusing on moving subjects for better precision while shooting at high consistent shooting speeds. For more, Single-point AF, Dynamic-area AF (with 9, 21, or 51 points selectable), 3D-tracking (using all 51 points), and Auto-area AF modes are also obtained. And while working in either horizontal or vertical shooting orientations, you can separately select your focus point and AF area settings to best fit the frame.

While working in live view, for specific still or movie shooting, a contrast-based AF system is used to attain focus accurately and can function constantly, full-time servo mode perfectly made for working with moving subjects.

Scene Recognition System and Exposure Metering

The intelligent Scene Recognition System with 3D Color Matrix Metering II employs a 2,016-pixel RGB sensor to calculate and inspect all aspects within a scene, which include brightness, contrast, subject distance, and the scene colors, to quickly decide a precise exposure and white balance setting to best supply the scene at hand. The information gathered is also checked against onboard reference images to confirm constant from image to image in regard to exposure, white balance, i-TTL flash settings, and subject-tracking AF performance.

Camera Design Features

• A large 3.2″ 1,229k-dot LCD monitor is included in the D7200’s design and characterized an RGBW alignment for upgraded visibility while working in strong lighting conditions.
• A bright pentaprism optical viewfinder provides 100% frame coverage and incorporates a natural EL display system to produce shooting information for seamless adjustment over camera settings without separating your eye from the viewfinder. Additionally featured the optical glass increase coatings for maximizing brightness, contrast, and color neutrality for more natural viewing.
• A built-in pop-up flash can be used to produce additional illumination to scenes and can also be used as a flash commander to wirelessly communicate with other Nikon CLS-could be used Speedlights. Additionally, a hot shoe is in-built for using optional external flashes.
• Dual SD card slots are featured to extend file saving capabilities by allowing either overflow recording or in-camera file duplicating. Additionally, optional HDMI-link external recorders are used to record uncompressed video and time-lapse sequences.
• The front Pv button is designed as a depth of field preview button for featured manually checking your depth of field prior to shooting. This button, together with the front Fn button, can also be allocated to other shooting controls.
• The included EN-EL15 rechargeable lithium-ion battery pack provides up to approximately 1110 shots or up to 80 minutes of recording per charge (based on CIPA standards).

Snapbridge Wi-Fi Connectivity

Supporting a wealth of sharing and tagging possibilities, the D7200 features built-in snapbridge Wi-Fi connectivity to enable seamless transfer of imagery as well as remote shooting capabilities. Once the Nikon Wireless Mobile Utility app has been installed on an Android or iOS mobile device, you can use that device to browse the contents of the memory card, select images, and seamlessly transfer files between devices for immediate sharing online. Additionally, the mobile device can remotely trigger the shutter and display a live view image from the camera to enable working from a distance. NFC (Near Field Communication) is also supported to provide a quick and simple tap-to-connect method for linking your mobile devices with the camera.

For sped-up wireless performance, the D7200 is also used with the optional WT-5A Wireless Transmitter and UT-1 Communication Unit, which can produce image files through  FTP.

Other Camera Features

• Pairing video and still imaging capabilities, in-camera time-lapse shooting are achievable using the built-in intervalometer to record up to 9,999 consecutive exposures at different intervals. Exposure smoothing can also be assigned to groups of sequentially recorded images in order to achieve a naturally appearing time lapse straight from the camera.
• Dedicated Photo Shooting and Movie Shooting menus aid in easily accessing dedicated settings and controls command turn on the medium where you are working.
• RAW (NEF) files can be taken down as lossless compressed or squashed at either 12 or 14-bit depth
• Automated exposure bracketing is achievable up to 9 frames with 1/3 or 1/2 EV steps linking each frame.
• Active D-Lighting helps to control both highlight and shadow details while working in contrast-rich scenarios, such as backlit lighting. Employing the EXPEED 4’s processing power, a more controlled image will be provided with brightness values closer to how they are clearly seen. This mode is perfect for working with in-motion subjects.
• Built-in HDR works to increase the tonal and exposure range of a single image by recording sequential exposures and combining them all together in order to produce better highlight and shadow details with an expanded range of mid-tones. This mode is perfectly made for working with halted subjects.
• Auto ISO sensitivity control allows you to select a minimum shutter speed at which camera shake can be controlled and then will automatically set the ISO value in order to best render the scene. A maximum sensitivity level can also be set in order to maintain overall noise levels.
• Spot White Balance control for live view shooting makes setting the white balance as easy as pointing to the area in the frame that should be white.
• MC-DC2 port enables the connection of optional accessories, such as remote shutter releases.
• Picture Control modes allow you to set predefined looks to imagery in-camera and include Landscape, Neutral, Portrait, Standard, Vivid, Flat, and user-customizable settings. A Clarity control setting can be used to refine the amount of definition with each of these profiles, and fine-tuned control in 0.25-step increments allows you to adjust the settings to your personal needs.
• Special Effects modes allow you to creatively enhance imagery in-camera: Night Vision, Color Sketch, Miniature Effect, Selective Color, Silhouette, High Key, and Low Key.
• A range of scene modes can be employed to base exposure settings on pre-defined, detected scene types: Autumn Colors, Beach/Snow, Blossom, Candlelight, Child, Close-up, Dusk/Dawn, Food, Landscape, Night Landscape, Night Portrait, Party/Indoor, Pet Portrait, Sports, and Sunset.
• Inbuilt-camera image editing: Monochrome, NEF (RAW) Processing, Perspective Control, Quick Retouch, Red-Eye Correction, Resize, Selective Color, Side-by-Side Comparison, Straighten, and Trim, Color Balance, Color Outline, Color Sketch, D-Lighting, Distortion Control, Edit Movie, Filter Effects, Fisheye, Image Overlay, Miniature Effect
• Supported Language: Persian, Polish, Portuguese, Romanian, Russian, Serbian, Spanish, Swedish, Tamil, Telugu, Thai, Turkish, Ukrainian, and Vietnamese, Arabic, Bengali, Brazilian Portuguese, Bulgarian, Chinese (Simplified and Traditional), Czech, Danish, Dutch, English, Finnish, French, German, Greek, Hindi, Hungarian, Indonesian, Italian, Japanese, Korean, Marathi, Norwegian

The post Nikon D7200 DSLR Camera (Body Only) first appeared on GP.

• As part of the Art line within Sigma’s Global Vision series, this lens is drawn to achieve truly notable optical performance and is ideally suited for creative and artistic applications.

• Telephoto zoom is designed for DX-format Nikon F-mount cameras and provides a 75-150mm equivalent focal length range.

• Impressively fast f/1.8 constant maximum aperture benefits working in difficult lighting conditions throughout the zoom range and also offers increased control over focus when working with selective focus techniques.

• Three F Low Dispersion (FLD) elements and four Special Low Dispersion (SLD) elements markedly reduce chromatic aberrations and color fringing throughout the zoom range. Additionally, one high-refractive index, high-dispersion glass element controls spherical aberrations for increased clarity and sharpness.

• A Super Multi-Layer Coating has been applied to lens elements in order to minimize lens flare and ghosting and contribute to producing contrast-rich and color-neutral imagery, even in backlit conditions.

• Integrated HSM (Hyper Sonic Motor), along with an internal focusing system, realizes quick and quiet autofocus, which is further complemented by an optimized AF algorithm to produce smoother focusing performance. The HSM also permits full-time manual focus control simply by rotating the focus ring at any time.

• Internal build zoom and focus blueprint limit the overall length of the lens during operation for more intuitive, controlled handling with faster performance.

• The rounded nine-blade diaphragm is made from durable, fluorine-coated polycarbonate and also features a carbon feather film for achieving smooth performance when working with fast continuous shooting rates.

• Fabricate using a Thermally Stable Composite material for greater accuracy and use in wide temperature variations. Furthermore, a brass bayonet affords improved mounting accuracy and rigidity.

• Featured with rotating tripod collar offers upgraded stability when working from a tripod and integrates 90° click stops for inborn switching between horizontal and vertical shooting orientations.

• This lens can be used with the optional Sigma USB Dock for fine-tuning different lens characteristics and updating its firmware.

The post Sigma 50-100mm f/1.8 DC HSM Art Lens for Nikon F first appeared on GP.